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High Tea Painting
France
Painting, Egg Tempera on Wood
Size: 3.9 W x 6.3 H x 0.4 D in
Ships in a Box
About The Artwork
This egg tempera painting with gold leaf on an oak panel is a gently humorous portrait of a frog. Two blades of grass are rendered in water gilding - gold leaf laid on red bole and burnished to a high sheen. A small fly perches on the bending head of one blade of grass, out of range of the frog, which stands on its hind legs, straining upwards and reaching with its tongue to try to catch it. The title, 'HighTea', is a pun: 'high tea' is sometimes used in the UK to refer to an evening meal but here, the fly is too high for the frog. The frog, which takes centre stage in this painting, also appears as a small player in the painting 'On the Ground, They Crawl Unseen', in the series 'Abundance'. The painting has an exposed wood border (included in the given dimensions) so that it can be displayed unframed, for example on a mini easel. It can also be framed to make it more imposing. It is signed and dated on the reverse and has a d-ring attached so that it is ready to hang.
Original Created:2022
Subjects:Animal
Materials:Wood
Styles:FigurativeFine Art
Mediums:Egg TemperaGold Leaf
Details & Dimensions
Painting:Egg Tempera on Wood
Original:One-of-a-kind Artwork
Size:3.9 W x 6.3 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I am a British artist based in the western suburbs of Paris. Firmly rooted in medieval methods, I use aesthetic devices originally meant to glorify the church to make secular paintings conveying the wonder and power of the natural world and the ambiguity of man’s relationship with it. I fell in love with early Italian painting while living in Florence, and returned to the UK to study it in a masters degree at Oxford University. I then went on to train as a paintings conservator at the Hamilton Kerr Institute, Cambridge, where I became passionate about the materials and techniques of medieval European art and learned to gild and paint in hand-made egg tempera on wooden panels prepared with gesso. After many years researching these methods in theory and practice, culminating in the publication of my annotated translation of Cennino Cennini’s fifteenth century treatise on art, I began to develop my own artistic practice. My paintings, which have been sold to collectors world-wide, have been selected for numerous local salons and I was shortlisted for the New Emergence Art Prize in 2022.
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