





Painting, Acrylic on Canvas
27.6 W x 39.4 H in
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This work will ship flat in a sturdy, well-protected cardboard box. Read More
This artwork is not for sale.
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“One is bigger than the other, get over it.” “That’s the last time I’m going to wax my upper lip, get over it.” ”This studio is freezing ... am I even getting the minimum wage here?” “No idea what I can make for supper.” A collection of portraits freeing the real sitters of Holbein, Vermeer and Kli...
Year Created:
2017
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
27.6 W x 39.4 H x 1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.In her figurative work Avenda seeks out unlikely physical shifts to reveal an inherent awkwardness, throwing into question what we are led to believe is beauty and beautiful. In the media circus of the 21st century we are bombarded by images of apparent perfection, yet we appear to miss the entire point of the beauty of soul. Avenda’s series The Corsets Are Off holds a mirror to our own vulnerabilities and asks us to think again. Hence her work looks back over centuries of portraiture and re-evaluates the place of women in societies that demanded beauty from them.
Often multilayered, Avenda’s images demand we question the fragility and instability of our seemingly certain reality. Using abstraction she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. Her paintings become fascinating, new brushstrokes and colours emerging over time, the whole growing more precious the longer it is viewed. These are not works you tire of.
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