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I made this painting in response to the growing global tensions between nations, religions and skin colours. In the year 2020 it seems ludicrous that rather than embracing diversity we seem to be punishing it. As a global community we seem less tolerant than ever of peoples differences regarding location, colour and creed, resulting in the Doomsday clock moving closer than ever to midnight. This painting seeks to define equality by making everything equidistant with no one element overpowering the other, nothing dominating, everything working in a quiet harmony together, the way humans should be behaving in this developed stage of our evolution. I hand draw the layout lines before using my finger to paint the people (I use my finger rather than a brush to emphasise the humanness of each person) mixing up various skin tones, trying to evenly, but randomly, distribute these colours about the canvas. This artwork is done on a stretched canvas that I prime white in acrylic paint before painting each person in acrylic paint. I then hand make the frame using pine that I stain black. The artwork is signed and numbered on the reverse- this being number 1 in this series. If you would prefer, I can also add a signature and edition number to the front of the canvas. Many thanks for taking the time to view my artwork, Paul
I made this painting in response to the growing global tensions between nations, religions and skin colours. In the year 2020 it seems ludicrous that rather than embracing diversity we seem to be punishing it. As a global community we seem less tolerant than ever of peoples differences regarding location, colour and creed, resulting in the Doomsday clock moving closer than ever to midnight. This painting seeks to define equality by making everything equidistant with no one element overpowering the other, nothing dominating, everything working in a quiet harmony together, the way humans should be behaving in this developed stage of our evolution. I hand draw the layout lines before using my finger to paint the people (I use my finger rather than a brush to emphasise the humanness of each person) mixing up various skin tones, trying to evenly, but randomly, distribute these colours about the canvas. This artwork is done on a stretched canvas that I prime white in acrylic paint before painting each person in acrylic paint. I then hand make the frame using pine that I stain black. The artwork is signed and numbered on the reverse- this being number 1 in this series. If you would prefer, I can also add a signature and edition number to the front of the canvas. Many thanks for taking the time to view my artwork, Paul
I made this painting in response to the growing global tensions between nations, religions and skin colours. In the year 2020 it seems ludicrous that rather than embracing diversity we seem to be punishing it. As a global community we seem less tolerant than ever of peoples differences regarding location, colour and creed, resulting in the Doomsday clock moving closer than ever to midnight. This painting seeks to define equality by making everything equidistant with no one element overpowering the other, nothing dominating, everything working in a quiet harmony together, the way humans should be behaving in this developed stage of our evolution. I hand draw the layout lines before using my finger to paint the people (I use my finger rather than a brush to emphasise the humanness of each person) mixing up various skin tones, trying to evenly, but randomly, distribute these colours about the canvas. This artwork is done on a stretched canvas that I prime white in acrylic paint before painting each person in acrylic paint. I then hand make the frame using pine that I stain black. The artwork is signed and numbered on the reverse- this being number 1 in this series. If you would prefer, I can also add a signature and edition number to the front of the canvas. Many thanks for taking the time to view my artwork, Paul
I made this painting in response to the growing global tensions between nations, religions and skin colours. In the year 2020 it seems ludicrous that rather than embracing diversity we seem to be punishing it. As a global community we seem less tolerant than ever of peoples differences regarding location, colour and creed, resulting in the Doomsday clock moving closer than ever to midnight. This painting seeks to define equality by making everything equidistant with no one element overpowering the other, nothing dominating, everything working in a quiet harmony together, the way humans should be behaving in this developed stage of our evolution. I hand draw the layout lines before using my finger to paint the people (I use my finger rather than a brush to emphasise the humanness of each person) mixing up various skin tones, trying to evenly, but randomly, distribute these colours about the canvas. This artwork is done on a stretched canvas that I prime white in acrylic paint before painting each person in acrylic paint. I then hand make the frame using pine that I stain black. The artwork is signed and numbered on the reverse- this being number 1 in this series. If you would prefer, I can also add a signature and edition number to the front of the canvas. Many thanks for taking the time to view my artwork, Paul
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How Can We Stand Together When We Walk Alone Painting

Paul Whorlow

United Kingdom

Painting, Acrylic on Canvas

Size: 16.5 W x 20.5 H x 0.8 D in

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About The Artwork

I made this painting in response to the growing global tensions between nations, religions and skin colours. In the year 2020 it seems ludicrous that rather than embracing diversity we seem to be punishing it. As a global community we seem less tolerant than ever of peoples differences regarding location, colour and creed, resulting in the Doomsday clock moving closer than ever to midnight. This painting seeks to define equality by making everything equidistant with no one element overpowering the other, nothing dominating, everything working in a quiet harmony together, the way humans should be behaving in this developed stage of our evolution. I hand draw the layout lines before using my finger to paint the people (I use my finger rather than a brush to emphasise the humanness of each person) mixing up various skin tones, trying to evenly, but randomly, distribute these colours about the canvas. This artwork is done on a stretched canvas that I prime white in acrylic paint before painting each person in acrylic paint. I then hand make the frame using pine that I stain black. The artwork is signed and numbered on the reverse- this being number 1 in this series. If you would prefer, I can also add a signature and edition number to the front of the canvas. Many thanks for taking the time to view my artwork, Paul

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16.5 W x 20.5 H x 0.8 D in

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