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How to build a universe Painting
Croatia
Painting, Acrylic on Wood
Size: 36.2 W x 36.2 H x 0.2 D in
Ships in a Box
About The Artwork
Acrylic on fiberboard (masonite) The painting represents the sum of thinking about probabilities of random events occurrences, summed up in theories and arguments such as the law of large numbers, Boltzmann brain, infinite monkey theorem and similar. What they all basically say is that given enough time or chance any conceivable event can theoretically occur. This is a scientific approach to explaining how a pretty much ordered universe sporadically even sustaining life came about and god knows it’s had time! On a micro level, this can be translated to Jung’s synchronicity, i.e. widely experienced meaningful coincidences, but meaningfulness is a tricky human term which cannot be externalized at will. Without the leap of faith, who’s to say we’re more than a random occurrence? To answer the conundrum in a jocular way – give it time!
Details & Dimensions
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:36.2 W x 36.2 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Croatia.
Customs:Shipments from Croatia may experience delays due to country's regulations for exporting valuable artworks.
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Croatia
Works from the latest Liberalism series are an expanded and logical continuation of previous considerations of the post-religious world with man and all pertaining in its center. In the broadest sense they strive to describe the human condition through a form of thought experiment and to deductively affirm the sense of the spirit of time, unuttered and defeatistically ignored. The result of these considerations will often seem inclined towards criticism, while being in its intent purely documentary, and as such devoid of judgement, at least to the extent of the possible. For even a name is a judgement, but such that does not influence the objective reality, very much the same as the name of an object does not influence its properties. Instead, they serve more as a catalog references of human experiences. By such analogy the works endeavor to forebode what is hidden by the collectively subjective, without sidetracks in categories of duality.
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