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"I am (not) here" Painting

Chiara Luise, Italy

Painting, Airbrush on Canvas

15.7 W x 31.5 H in

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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September always marks the beginning of a weird period of time for me. I almost feel disconnected from reality, in a space where I phisically find myself into without actually being there psychologically. The Google maps position sign in this painting is a symbol of our false beleif of knowing whe...

Year Created:

2020

Subject:
Mediums:

Painting, Airbrush on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 31.5 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

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Chiara Luise

About the Artist

Chiara Luise

Italy

I consider the creative act an extremely personal act, through which I try to psychoanalyze and exorcise myself.

In my works the human figure takes on a central meaning, since bodies, and faces in particular, are an important signifier that helps me in my growth process.

The figures in my works want to be a mirror of my interiority and of of those whomay find themselves in my gesture.

The body is the form par excellence in my paintings, because it is the most immediate, the one to which it is easier to approach and the one in which it is easier to recognize oneself.

The use of the body therefore serves me to carry out a psychological rather than a physical analysis.

In all my works it is possible to notice the commmon thread of disturbance.

The semantic force of the figure, often rigid, is a consequence of the underlying anxiety that pushes me towards the need for this self-analysis.

Everything I depict remains static, blocked, in a state of power and immobility.

This stillness is a symbol of a basic ineptitude, not only personal but also generational, to adapt to an environment in which constant movement often prevents a sufficiently accurate internal analysis.

With my work I want to create parallel time, in which it is possible to reclaim a space for our hidden vulnerabilities and their hidden beauty.

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