VIEW IN MY ROOM
United Kingdom
Painting, Acrylic on Canvas
Size: 16 W x 22 H x 1 D in
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This piece is a portrait piece of a woman amongst sunflowers. Her hands are abstractly shown underneath her face, imitating the leaves of the two sunflowers, ultimately connecting her to the light of the flowers. The title of the piece is taken from author Helen Keller who also stated that this is what sunflowers do. It insinuates the idea of keeping a positive mindset, as whilst there will always be a shadow with light, we should not let this distract us from the good. I want my audience to look at this piece and feel the positivity within it, perhaps from the subjects beauty, the warmth of the colours or simply the title itself.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:16 W x 22 H x 1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Ella Jackson (b.2001) lives in both London and Dorset. Graduating in 2023 from Central Saint Martins in BA (Hons) Fine art, her practice fundamentally explores human relationships and the emotion of love. Personal experiences of these themes is how her work currently exists, with the subjects within each piece being a close relative or friend. Whilst the audience may not directly know the subjects, she intends for the works to emit a sense of the familiar, connecting them to their own relationships, through colour, composition and place. The process in making the paintings begins with colour, with the manipulation of additional colours placed on a coloured surface being of interest. Her palette is predominately been warm tones of pink, orange and greens with the intention of mimicking the warmth and comfortable nature of love. Each work is a gradual build-up of delicate, intimately applied brush strokes. Whilst not adhering to the science and colour theory behind ‘Pointillism’, the style of each stroke is arguably of a similar nature. They show the labour of the artist’s hand. Whilst being laborious and time consuming, there is coherence between the paintings’ process and theme. The cumulative brush strokes imitate the gradual development of building a relationship, taking both time and effort.
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