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Il Popolo vuole Painting

Ali Hassoun

Italy

Painting, Oil on Canvas

Size: 102.4 W x 78.7 H x 1.6 D in

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364 Views
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About The Artwork

"People want" is the free translation of the sentence "Al Shaab Yurid" appeared on the walls of several towns of the Maghreb during the Arabic spring to underline a real wish of change especially by the youngest generations. The change is the wish to get in touch with a more free world, of which the POP is a symbol of joining, of a culture that mingles Andy Warhol and Starbucks Coffee, the little moustache Nike and the jar of the Campbell’s soup with the colors of Africa and the habits of Asia, in real crossover which is now witnessed in any big cities of the world… Luca Beatrice, “Il Popolo vuole…” Museo Piaggio – Italy

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:102.4 W x 78.7 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ali Hassoun was born in Saida (Lebanon) in 1964. In 1982 he moved to Italy to continue his studies at the Accademia di Belle Arti in Florence. In 1992 he graduated from the city’s university with a degree in Architecture. He now lives and works in Milan. He has added Italian nationality to his Lebanese nationality, and has thus been able to fill in areas that were lacking in his own individual experience. The most easily identifiable theme of his painting is travel, contributing different experiences and visions. Ali Hassoun’s works seem to act as a pole of attraction for various cultures, which merge to create a new, richer culture. In opposition to the clash of civilzations, Hassoun wants to highlight the idea of “humanity”; a universal and spiritual feature that is common to all folks, and that always come first, before any political or religious division. The artist becomes a sort of cultural translator, and different traditions can coexist in the perfectly balanced space of his colourful paintings. Islamic and African characters are all caught in a game of smart quotations and indirect exchanges between the main action and the background.

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