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Il tesoro di Priamo Painting
Italy
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1.6 D in
Ships in a Box
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Artist featured in a collection
About The Artwork
When Heinrich Schliemann, a businessman and self-taught archaeologist, found walls, foundations, pottery, and thousands of gold jewels at excavations on Hissarlik Hill in Anatolia, he attributed them to the Homeric city of Troy, the one he had always sought, driven by his love of the Iliad and the Odyssey. In reality it was discovered that the finds dated back to an even more ancient city, which had been rebuilt nine times. The jewels were called "Priam's treasure" and Schliemann became world famous for his extraordinary discoveries. The painting is ready to hang and doesn't need any frame. It comes together with an Authenticy Certificate.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I was born in Varallo, an artistic town on the Alps, now I live and work in Milan. I paint abstract works inspired by nature and travel. Travel includes physical space as well as inner reality. The centre of my research includes trips into the unconscious, remote or underwater landscapes and literary works (primarily mythological). I use several layers of acrylic colours and pigments as well as enamel in my art. The art is often characterized by strong, bold colours. Shapes are like glimpses into a mirage or a dream. I try to express an emotion, mood or feeling. My starting point is an idea, memory or suggestion. My wish is that observers of my work use their imagination to go beyond the boundaries of the painting itself.
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