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South Korea
Painting, Found Objects on Other
Size: 35.4 W x 39.4 H x 1.2 D in
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“The various collected materials which are not fixed to the canvas are combined with a highly fluid, liquid resin. Also, since the resulting surface is the bottom part of a mold, Yang cannot predict the result while working. This causes tension like gambling every moment. However, it is the gambling for creative coincidence combined with intuition, and any unconscious motive that goes beyond the artist's intention.” - #text by Agnus Tam, @meanwhile_elsewhere
Original Created:2020
Subjects:Abstract
Materials:Other
Styles:AbstractStreet ArtConceptual
Mediums:Found ObjectsResin
Painting:Found Objects on Other
Original:One-of-a-kind Artwork
Size:35.4 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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South Korea
Born in South Korea Live & work : Berlin <-> South Korea Jazoo Yang is a Korean mixed media artist based in Berlin. She often distorts public spaces to profound ends. With a mixture of concept-focused art and an intriguing visual palette, she questions the relationship between ourselves and the spaces that we inhabit. Her more recent practice has focused on the transformation of housing in the city and the gentrification that is pushing local residents from their homes. The 'Materials Series' is an amalgamation of the diverse, the distant, and the disregarded. Formed of the lost fragments of urban life that she rescues before their inevitable disappearance – remnants of a building’s outer walls, scraps of wallpaper from an interior, the remains of antique tiles – these often silent, ignored objects are here transformed from the mundane, and framed to acknowledge the immensity of the intimate. Furthermore, while developing projects related to the issues of redevelopment, Yang keeps an interest in what the original senses of human beings might be like within the rapid changes of a city. The speed of city life runs much faster than that of the human body, thus enforcing its speed on the people living in that city. This situation, maybe even a violent one, may damage delicate aspects of the human senses. Yang is not only concerned with the material elements that make up our cities and about those living there, she also devotes herself to the details of natural systems, which unfold in urban space, yet remain invisible.
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