VIEW IN MY ROOM
Painting, Oil on Canvas
Size: 7.1 W x 5.5 H x 0.8 D in
Ships in a Crate
Material: canvas on hardboard Bring a leaf from a tree very close to your eyes and you will see a net made of the veins of different thickness. If you look at the same leaf from the distance of an outstretched arm, you will see the shape of the leaf and only the thick veins. If you look at it from a further distance, you will see no veins at all, but you will see its shape and color, and it will be clear to you what you see – the same leaf. The same happens when we look at the trees. When we move away from the tree, the discrete leaves become undiscernible and merge into the green mass of the crown. But the tree doesn’t cease to be a tree for us. To draw a tree it is completely unnecessary to paint each leaf. It is unnecessary to draw the sky or sun to depict light from the sky or sun; it is enough to find and depict the most important thing, which tells the viewers that here is a tree, the sky and sun.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:7.1 W x 5.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Recently I’ve been interested in the question: how to paint so that the painting would give such strong feelings as the music of Bach or Schnittke? It is the problem I try to solve when I paint my pictures – how to fully express with paints the things that give rise to my emotions. How to express the full variety of these feelings turns out to be what is most difficult. It can be silent contemplative joy, nervous waiting or union of beauty and dramatic effect. That’s why beauty and convergence with nature for me are only some of the means of expression and the revelation of the image. Have you noticed how weather influences your mood, how objects hold memories about what they were associated with, how the world around us influences our emotions, senses, feelings? Compare your mood when warm sunbeams wake you up with when the whole sky is clouded over and rain is pattering on the windowsill. In this sense nature is a splendid figurative method. All I have to do is use it right and to combine it with all the other, no less significant expressive methods, that I control, which will help me to convey exactly what I want to share. I want to deal with such paintings, in contact with which a wave of searing pain will rise to the throat or feelings of joy or peace will overflow; that a viewer, seeing my picture, will live through it with me as its author and performer.
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