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Inamorata Painting
United Kingdom
Painting, Acrylic on Canvas
Size: 20.1 W x 29.9 H x 0.2 D in
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About The Artwork
This work carries the title Inamorata which means 'a woman whom one is in love with'. By the time I finished this painting I was perhaps a little in love with it. The canvas board has a base wash of Burnt Orange pigment, washes are made with acrylic pigment, professional airbrush medium and water. The subject foundation consists of opaque pigments generally applied in colour blocks with subsequent layers of colour washes. This layering of the work with washes allows for subtle tonal attributes that give depth and intensity, specially in the flesh tones. The overall result is a painting with a malleable texture that has eliminated unnecessary hard detail. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 60mm or more for this size painting. Narrow frames on large paintings have tendency to not sit well and have a habit of warping.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:20.1 W x 29.9 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
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