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Kalos B is a piece that arises from the decontextualization of another piece called KALóS. Aiming to break with the square pattern of the series and give the piece a dramatic and at the same time daring look; KALóS B becomes a large-format circular artwork.

Kaleidoscope series contains pieces on canvas, and MDF panel in various shapes and formats, especially large ones, and in fact, with this series I completely define one of my main characteristics as an artist, using only large formats to make my artwork. In this series I try to emulate in a metaphorical way, the effect of “the infinite”, and because the figures and shapes created by this cylinder are pure geometry; they inevitable invite me to unleash the imagination and create my own versions of these figures. 

Another central aspect to build this series is the Kaleidoscope´s structural and architectural analysis; and by naming my pieces after its components I contribute to give it a sense of permanence, turning the ephemeral into a permanent concept.
In addition to the kaleidoscope structural aspect; it is the visual effects produced by the mirrors and the internal objects that really push me to give life to pieces that conceptually contain the same visual hyperdimensional language that the eye captures through the device's hole; shapes and figures with saturated colors that sometimes cannot be understood but at the same time they move our  emotions due to their unique and whimsical appearance. 

One characteristic that identifies my work no matter the subjet matter and theme, is the use of monochromatic and flat backgrounds in the paintings, which place the observer in an abstract geometric plane, alien to material reality, but full of formal and dimensional possibilities, and that creates a paradox that intensifies, while the paintings are full of smooth colors and straight lines, in some cases almost technical, and that nevertheless, make up a spatial and formal ambiguity which I find exiting.

KALóS No.2B (Circular frame of ø190 cm x 6cm depth and 45 kg of weight) and It is signed on the back.
Depending of the surface it hangs, due the artworks weight and size a special hanging system will be needed.
Artist signature along with a Signed Certificate of Authenticity attached on the back.
Edge 6cm wide.
Frame made of wood and MDF panels.

324 Views

62

View In My Room

KALóS No.2B Painting

Jaime Domínguez

Mexico

Painting, Airbrush on Wood

Size: 74.8 W x 74.8 H x 2.4 D in

Ships in a Crate

SOLD
Originally listed for $6,640

324 Views

62

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Kalos B is a piece that arises from the decontextualization of another piece called KALóS. Aiming to break with the square pattern of the series and give the piece a dramatic and at the same time daring look; KALóS B becomes a large-format circular artwork. Kaleidoscope series contains pieces on ca...

Year Created:

2020

Subject:
Medium:

Painting, Airbrush on Wood

Rarity:

One-of-a-kind Artwork

Size:

74.8 W x 74.8 H x 2.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My approach to the arts began at the age of six with the study of piano and fine arts. As a teenager I got involved in theater and in that context I discovered scenography and stage production which ended up shaping the worldview of my “artist self.” I studied architecture and for a short time I worked as a set designer and later I found my passion for cultural management, an area in which I discovered my vocation as an administrator, maker, creator, executor, and organizer, which would ultimately serve as a foundation for structuring my career as artist. After years of resistance I returned to the plastic arts and immersed myself in the study of the popular arts of Mexico as well as the analysis of the uses and customs of various indigenous peoples, focusing my interest on the visual aesthetics of their crafts, clothing, as well as its spiritual worldview and its symbolism at the same time that my passion for modern architecture and industrial, textile, furniture and automotive design gave life to a peculiar way of seeing art. My work is the reflection of all the above, it is the encounter of possibilities, the consequence of my desire to amalgamate concepts and styles that are often antagonistic to each other and of my interest in everything that does not have to be explained but rather felt, it is the encounter of the indigenous with the modern, the ancestral and the present, the abstract imagination with spatial formality, they are the celebration of my own meaning of being myself.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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