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Italy
Painting, Oil on Canvas
Size: 39.4 W x 59.1 H x 0.8 D in
Ships in a Crate
Description: Work made for the 3 Beijing Biennial, the theme was "color and Olimpism", the work is a double sense between the monkey, from which the man comes down, and the olimpic games of the ringsYear Created: 2007
Original Created:2007
Subjects:Body
Materials:Canvas
Styles:FigurativePortraiture
Mediums:Oiloil pastelspencil
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 59.1 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Riccardo Querin was born in Turin in January 1974; as self-taught, he approached first the drawings then the paintings following an innate lean to these kinds of art. He became later a graphic designer for publishing. He began working with oil painting on 1994 stimulated by brilliant achievements and fascinated by the canvass painting. Another incentive came from the success of small expositions and consequence little sales. At the center of his productions there is the human figure, as reproduction of photos he personally takes or of subjects sheared from magazines barring any reference to the advertising and/or fashion world. The object of is art is the human figure, alone and disarmingly simple. Sometimes, its skin is torn and bruised, so watching his art is never pleasing despite the warmness of its color. Denuded of the classical beauty and made with flesh, closed spaces, sharp and disquieting shadows. The color dominates his paintings; paintings that seem to scream the alienation of the human figure from its reality.
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