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"Lov" Painting

Cj Wild, United States

Painting, Acrylic on Canvas

11 W x 14 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Yeah it's death from above. You've heard the conspiracy theory about global spraying of chemtrails yet never bothered to look up or look into it. Nothing you can do anyhow so why bother. But, it's fun to point them out to your friends at parties. Look at all the lines in the sky. LOV it.

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

11 W x 14 H x 0.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Cj Wild

Cj Wild

United States

ARTIST"S BIO SALES- CONTACT online at The Wolf Gallery, Los Angeles C.J. Wild is a Los Angeles based artist working primarily in acrylic on canvas. His work is a collection of imaginative characters, some are based on real people while others exist only in the cross walks of L.A. or on his canvas. His pieces have a colorful cartoonish quality with a unique, unrefined style, somewhere between pop and lowbrow, decidedly outside. A touch of humor is often found in his works while others exercise the viewers imagination. Through their fictional nature, the artist enjoys the freedom of bending the rules, and allowing the same freedom to the viewer; to see and feel what they wish and interject their own interpretation. "I was trained as a graphic designer, with a high use of tools for tightness and precision. You would probably not guess that, but I tend to like a graphic quality in my work. I try to keep my surfaces flat, somewhat like a simple silkscreen, which looks simple, but can be surprisingly challenging at times. I experiment with a lot of glazing and I can get a nice plastic, toy-like feeling which I'm after. I've been in the art world and there is an intimidation factor and seriousness which I have always struggled with. Knowing and working with so many artists personally, I have often found the people behind the work so much more approachable than some of the work itself. I've found the most dismissive and most playful work collected by the more serious collectors. Newer collectors tend to stay with safe bets, that look serious. I want my pieces to be approachable, and accessible, even if they're not for everybody. I'm not aiming for any museum interest. There is a playful element to my work, and even some of what I consider darker pieces wouldn't look out of place in a child's room. Again I try to capture a toy-like quality, with an almost manufactured plastic feel, like something you would want to pick up and play with. I can be serious about my work, and often spend ten or fourteen hours straight painting, but "serious" is never the first adjective that come's to mind. There is definitively a mental or physchological quality to it. I love Monet for example.. Technically what he was doing was fascinating, but the cerebral element of painting a haystack or a wheat field, moreover contemplating a field or a haystack, as a viewer, seems a bit boring. Maybe it's serene, and that has it's place.

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