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Painting, Acrylic on Canvas
Size: 60 W x 60 H x 0.1 D in
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This mandala was inspired by ancient and more recent Egyptian motifs- sparkling gold, papyrus buds, lapis lazuli blue for the ancient, and Islamic-art decagons for the less ancient. The nightlight composition is the product of doped strontium aluminate mixed into my paint. I make the glow paint myself from the raw minerals for maximum luminance. It is waterproof and rated toy-safe. The minerals are excited (charged) by any visible light- no special bulbs needed and it will glow 10 to 20 hours from exposure to any visible light. Canvas is unstretched, heavy-weight, and hemmed on all sides. YouTube Video of the painting in progress: Lapis, There And Back, Topo Lit Video https://www.youtube.com/watch?v=bii_C_2m1Cw :32 seconds
Acrylic on Canvas
One-of-a-kind Artwork
60 W x 60 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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The driving force of my art is curiosity. Each piece begins with the question “What if?” What if I use these colors, textures, materials, techniques, or objects together? Each work is a surprise package I get to slowly open. I study art, and in my head I divide the field between decorative art that people want in their homes, which is great, and “arty” art that is innovative, original, and sometimes gallery-worthy. I often fail but generally aim for the elusive territory between the two- attempting to create things pleasing to the eye that people might want to live with, while pushing out boundaries for both everyday and more sophisticated art lovers. A unique recurring feature of most of my work is the inclusion of photoluminescent strontium aluminate doped with rare earths. I make the pigments myself for maximum luminance. The works are thereby two compositions, one by day and a second, rather magical composition that appears at night. I employ super-bright child-safe minerals that shed light for 10 to 20 hours after exposure to any visible light, and that continue to be “re-excitable” for decades. I do not have a single style because my relentless curiosity leads me in many directions as I constantly explore new materials, tools, techniques, and “What if?” questions.
Artist featured by Saatchi Art in a collection
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