






Painting, Oil on Wood
22 W x 22 H in
Framed
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The painting “Small Calliostoma Javanicum” is an object of contemplation. The small delicate shell is contrasted by the muscular wooden frame. The meditation: empty is full, describes both the visual experience and the subject. All things contain its opposite.
Year Created:
2015
Subject:
Mediums:
Painting, Oil on Wood
Rarity:
One-of-a-kind Artwork
Size:
22 W x 22 H x 3 D in
Ready to Hang:
Not Applicable
Frame:
Black
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Contact us.Need more information?
Contact us.From 1985 to the present, I have been living and working in San Antonio, Texas as a professional artist. During this period of time, I have had 26 solo exhibitions and have participated in many group shows. I have approximately 400 paintings in private and public collections including the San Antonio Museum of Art (San Antonio, Texas) and the Museum of Fine Arts, Houston.
General artistic concerns and themes:
At the core of my methodology is a commitment to the ‘tradition’ of painting, to understanding the historical dialogue between surface and illusion, the pictorial and the plastic, subject and content. For approximately the past 20 years, I have been investigating, in general the issue of mediated representation and, specifically, the problematic relationship between image and its referent.
The problem of making art intelligible is fundamentally semantic, not aesthetic. In my work, painting subjects (e.g. still life, landscape, animals, etc.) become convention ready-mades’, a foil, by which to explore the relationship between neutral subject, and active concept. Often with irony and humor, I hope to encourage the viewer to recognize the inherent slippage- the subject depicted as subject, and the painting as an artistic conceit as content.
Also what I hope to be obvious in this work is the joy of painting , and the excitement of participation in the creative process.
Recognition:
Artist featured in a collection
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