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Last Day Of Rehearsal. Detail 1.
Last Day Of Rehearsal. Detail 2
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Last Day Of Rehearsal. Signature

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"Last Day Of Rehearsal" Painting

Phil Davis

United Kingdom

Painting, Acrylic on Paper

Size: 16.5 W x 23.6 H x 0.4 D in

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$1,587

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

I wanted to explore the emotive power of a dancer’s final moments of preparation in order to capture the fleeting intensity of artistic dedication—that breathless point where discipline meets passion. I wanted the painting to become a window into the dancer's internal world as she pushes toward the ...

Year Created:

2023

Subject:
Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 23.6 H x 0.4 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Phil Davis studied Fine Art and Sculpture at Loughborough University, completing his degree in 2004. An accomplished draughtsman, Phil initially presented scenic depictions and travel experiences in pencil and oil pastel, using intense, bold colours as a way of reflecting a childlike wonder in the new, and in a sense the extreme, sometimes uncomfortable emotional commitment involved in relating to the culturally unfamiliar. Changing to working largely with oils resulted in work of much greater vibrancy, and allowed the extreme emotional sensations in which he was interested to be committed more successfully to canvas. His work now strives to acknowledge both the positive and negative energies, the good and the bad consequences, of these emotions, and how they inform our view of the world around us. More and more he attempts to inject the same feeling into his portrait/figurative work by representing the figurative form as an emotionally charged contradiction, as a twisted and gnarled yet beautiful representation of pain and raw feeling, as well as an object of pure physicality.

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Artist featured by Saatchi Art in a collection

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