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Laubar Crayfish Party Painting

Laurens Barnard

South Africa

Painting, Oil on Canvas

Size: 47.2 W x 47.2 H x 11.8 D in

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About The Artwork

Art by Laurens Barnard The paintings of Laurens Barnard take you on an epic journey to the romantic splendour of the Cape. The Cape of Good Hope. Join him as he walks down Church Street in the quaint town of Stellenbosch. Follow him as he unlocks his studio and get a first hand look at his personal gallery where he started painting. Gallant old Cape Dutch cottages ward off the scorching African sun with their sturdy wooden shutters, but in the street a colourful servant girl beckons a subtle invitation. Follow the sway of her skirt and find yourself become a part of the jovial festivities under ancient vines. In the shade of Simon van der Stel's Oak trees the sweet odours of wine and soil mingle in a heady mixture of old world charm. His vibrant paintings capture the charm of centuries past, yet still transform every day scenes into a mystical composition of detailed reality and enticing nostalgia. A flash of lace- a silken cravat- a moment of surprising absurdity- A symphony of colour, joy and activity. The artist has the knack of involving the senses- thrusting you into the throng of party goers- coaxing you to tap a foot in time with the music ....inviting you to join the splendour of the moment....

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:47.2 W x 47.2 H x 11.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist - Laurens Barnard (LAUBAR) THE ART OF LAURENS BARNARD (LAUBAR) Barnard's bright colors and whimsical brush strokes consort on canvas to create a winsome portrait of an adorned woman. The style of his work resembles Picasso's use of bold facial structures (particularly seen in the accentuated representation of the nose), and Chagall's soft elongation of bodily proportions. However, Barnard's unique signature can be seen in the final product and execution of his work. With a filmmaking background, his style of portraiture is presented as a candid snapshot rather than as a typically, stiff posed model. The widened exaggerated eyes of the woman hint of a state of reverie and solemn longing. The prescribed title of the work should say it all, but rather than draw a conclusion for the audience, it cleverly raises more questions. It provokes us to think more elaborately about the greater story that may be behind the snapshot captured by the painting. "Has she lost a loved one", "was she stood up by a scoundrel of a lover"... these are just a few questions we may have as we ponder upon the women's seemingly solemn expression. Whether its pity or empathy we feel, Barnard has successfully created an atmosphere for emotional response as we're invited into an intimate relationship with the subject before us. He reminds us that a great portrait isn't so much a duplication of a face on canvas with considerable excellence, but rather the ability to capture what's beneath the surface of appearance. Barnard has indeed created a colorful caricature of a woman and given us permission to identify or not identify, to empathize, to speculate, to judge, and to wonder; encouraging the exploration of narrative through his artwork.

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