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Let Forever Be Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 72 W x 72 H x 2.5 D in

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About The Artwork

And how does it feel like to wake up in the sun And how does it feel like to shine on everyone How does it feel like to let forever be And how does it feel like to spend a little lifetime Sitting in the gutter screaming symphony How does it feel like to sail in on the breeze And how does it feel like to spend a little lifetime Sitting in the gutter screaming symphony And how does it feel like to make it happening And how does it feel like to breath with everything And how does it feel like to let forever be And how does it feel like to spend a little lifetime Sitting in the gutter screaming symphony And how does it feel like to to be a Christian being And how does it feel like to spend a little lifetime Sitting in the gutter screaming symphony ‘Let Forever Be’ by The Chemical Brothers Songwriters: Noel Gallagher / Tom Rowlands / Ed Simons "Let Forever Be" is a song by English big beat band The Chemical Brothers, released as the second single from their third studio album, Surrender. It contains the vocals of Noel Gallagher of Britpop band Oasis, who also co-wrote the song and previously worked with The Chemical Brothers on "Setting Sun". "Let Forever Be" was the Chemical Brothers' fourth top-ten single in the United Kingdom, peaking at number nine on the UK Singles Chart. It was also successful in Hungary, where it debuted and peaked at number two, and it reached the top 40 in Ireland and New Zealand. In the United States, the single reached the top 30 on two Billboard charts: the Hot Dance Singles Sales chart and the Modern Rock Tracks chart. The video for the track was directed by Michel Gondry, and utilized ground-breaking video and film effects in its depiction of a young woman's nightmares (the girl is played by actress and dancer Stephanie Landwehr). The video, which drew visual inspiration from Ray Davies' 1975 Granada TV production Starmaker, received much media attention and became one of the most well-known videos from the band. The video also makes specific visual and thematic references to the dance sequence "I Only Have Eyes For You" (music by Harry Warren; lyrics by Al Dubin), choreographed by Busby Berkeley for the Warner Bros. musical Dames (1934) directed by Ray Enright. Pitchfork Media named it the "quintessential Michel Gondry video" and ranked it at number seven in their list of the "Top 50 Music Videos of the 1990s”. Surrender is the third studio album by English electronic music duo The Chemical Brothers. It was released on 21 June 1999 in the United Kingdom by Freestyle Dust and Virgin Records and in the United States by Astralwerks. The album saw the duo exploring further various electronic styles, including house music. Four singles were released from the album: "Hey Boy Hey Girl", "Let Forever Be", "Out of Control", and "Music: Response”. The Chemical Brothers are an English electronic music duo formed by Tom Rowlands and Ed Simons in Manchester in 1989. They were pioneers (along with the Prodigy, Fatboy Slim, The Crystal Method, and other acts) in bringing the big beat genre to the forefront of pop culture. They released their debut album Exit Planet Dust (1995) and it eventually went on to sell over a million copies worldwide. After attracting Virgin Records, the duo achieved more widespread success with their second album Dig Your Own Hole (1997), which topped the UK charts. In the UK, they have had six No. 1 albums and 13 Top 20 singles, including two No. 1 hits. Their name came about in 1995 after they dropped their original name of "The Dust Brothers" due to the existence of a different band with the same name. "The Chemical Brothers" refers to the duo's 1993 groundbreaking "Chemical Beats", which epitomised their genre-defining sound. In the United States, they have won six Grammy Awards including Best Rock Instrumental Performance, Best Dance Recording and Best Dance/Electronic Album of the year as recently as 2020. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 72 H x 2.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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