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"Little guy looking at the moon", mixed media on canvas, 20X20 cm.
I've used : heavy gel for encaustic wax effect, acrylic, pencils, felt-pen, inks, silver acrylic marker.
Edges are painted, no need to frame, ready to hang.
Edges are 3,5 cm depth.

Here is a poetic and tender nocturnal scene.
Working with paraidolia makes it possible to always be surprised by the new paths that open up. Staying amazed as a child ...
Pareidolia is a psychological phenomenon involving a stimulus (an image or a sound) wherein the mind perceives a familiar pattern of something where none actually exists. Common examples are perceived images of animals, faces, or objects in cloud formations.

Here, a little dog appeared among the spots of painting, while I was working on this nearly abstract night scene. It is enough that I accentuate the forms to make it exist. There are also other animals. Will you find them?
I love the sweetness of this little orange dog.
It remains me one my little guys, a long time ago, with his bright black eyes, and his ears always flattened backwards.
This sweet scene appears because I have spend Christmas time with wonderful little childs from 3 to 5 years. I've look through their eyes, discovering their gifts...

This one of a kind artwork will be delivered with an invoice and a signed certificate of authenticity.

"Petit chien regardant la lune", technique mixte sur toile à bord épais, 20X20 cm.


Effet encaustique à l'acrylique, crayons, feutre, encres, marqueur acrylique argenté.
Prêt à accrocher.La toile fait 3,5 cm d'épaisseur. les bords sont peints.

Voici une scène nocturne, poétique et tendre, emprunte de douceur, et de magie. L'hiver, et ses longues nuits, est propice à l'évocation de scènes mystérieuses, où les fées, les elfes et les lutins sont comme des étoiles imaginées pour éclairer le froid des nuits hivernales.

Travailler avec la paraïdolie permet de toujours être surpris par les nouveaux chemins qui s'ouvrent. Rester émerveillé comme un enfant ... La pareïdolie est un phénomène psychologique impliquant un stimulus (une image ou un son) dans lequel l'esprit perçoit un modèle familier de quelque chose où aucun n'existe réellement. Des exemples courants sont des images perçues d'animaux, de visages ou d'objets dans des formations nuageuses.

Ici, un petit chien est apparut parmi les taches de peinture, alors que je travaillais sur cette scène nocturne presque abstraite. Il a suffit que j'accentue les formes pour le faire exister. Il y a aussi d'autres animaux. J'aime la douceur de ce petit chien orange. Il me rappelle un de mes petits compagnons, il y a longtemps, avec ses yeux noirs et brillants, et ses oreilles toujours rabattues en arrière.

Ce tableau est livré avec une facture et un certificat d'authenticité signé. Envoi soigneusement emballé, assuré et suivi.

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"Little guy looking at the moon", mixed media on canvas, 20X20 cm Painting

Fabienne Monestier

France

Painting, Acrylic on Canvas

Size: 7.9 W x 7.9 H x 1.4 D in

Ships in a Box

SOLD
Originally listed for $210

1227 Views

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ABOUT THE ARTWORK

"Little guy looking at the moon", mixed media on canvas, 20X20 cm. I've used : heavy gel for encaustic wax effect, acrylic, pencils, felt-pen, inks, silver acrylic marker. Edges are painted, no need to frame, ready to hang. Edges are 3,5 cm depth. Here is a poetic and tender nocturnal scene. Working with paraidolia makes it possible to always be surprised by the new paths that open up. Staying amazed as a child ... Pareidolia is a psychological phenomenon involving a stimulus (an image or a sound) wherein the mind perceives a familiar pattern of something where none actually exists. Common examples are perceived images of animals, faces, or objects in cloud formations. Here, a little dog appeared among the spots of painting, while I was working on this nearly abstract night scene. It is enough that I accentuate the forms to make it exist. There are also other animals. Will you find them? I love the sweetness of this little orange dog. It remains me one my little guys, a long time ago, with his bright black eyes, and his ears always flattened backwards. This sweet scene appears because I have spend Christmas time with wonderful little childs from 3 to 5 years. I've look through their eyes, discovering their gifts... This one of a kind artwork will be delivered with an invoice and a signed certificate of authenticity. "Petit chien regardant la lune", technique mixte sur toile à bord épais, 20X20 cm. Effet encaustique à l'acrylique, crayons, feutre, encres, marqueur acrylique argenté. Prêt à accrocher.La toile fait 3,5 cm d'épaisseur. les bords sont peints. Voici une scène nocturne, poétique et tendre, emprunte de douceur, et de magie. L'hiver, et ses longues nuits, est propice à l'évocation de scènes mystérieuses, où les fées, les elfes et les lutins sont comme des étoiles imaginées pour éclairer le froid des nuits hivernales. Travailler avec la paraïdolie permet de toujours être surpris par les nouveaux chemins qui s'ouvrent. Rester émerveillé comme un enfant ... La pareïdolie est un phénomène psychologique impliquant un stimulus (une image ou un son) dans lequel l'esprit perçoit un modèle familier de quelque chose où aucun n'existe réellement. Des exemples courants sont des images perçues d'animaux, de visages ou d'objets dans des formations nuageuses. Ici, un petit chien est apparut parmi les taches de peinture, alors que je travaillais sur cette scène nocturne presque abstraite. Il a suffit que j'accentue les formes pour le faire exister. Il y a aussi d'autres animaux. J'aime la douceur de ce petit chien orange. Il me rappelle un de mes petits compagnons, il y a longtemps, avec ses yeux noirs et brillants, et ses oreilles toujours rabattues en arrière. Ce tableau est livré avec une facture et un certificat d'authenticité signé. Envoi soigneusement emballé, assuré et suivi.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

7.9 W x 7.9 H x 1.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in 1962. I'm a professional artist, based in France.in the Loire Valley. I live and work in Vouvray, (land of good white wines, sparkling or still, dry or sweet) in Touraine, in a very pretty troglodyte dwelling, typical of the Loire Valley. I studied Fine Arts at the Institute of Visual Arts in Orleans where I entered with a file of floral illustrations for fabrics and an experimental feature film in video. Finally, I studied printmaking, experimental cinema, and photography. But what I liked best, in cinema, was drawing storyboards! I obtained High School Art Diploma (DNSEP, equivalent to a Master's degree) in 1989. As I student in Fine Arts, I started studying lyrical singing at the Orléans Conservatory, right next to the IAV. I had studied solfège and piano as a child, which made it easier for me to resume my musical studies later on! I spent some time in harmony and composition classes, but I soon realised that music as a composer would not be my means of expression. In 1991, on the advice of my singing teacher, I had an audition at the Tours Opera House, and I was hired in the Professional Choir where I still sing! I am a gourmand of pictorial techniques and subjects. Everything is likely to interest me one day. The human figure, landscapes, seascapes, forests, and now, flowers. Schematically, to sum up, after having done very dark and serious works in my youth, the more I advance in life, the more I find myself with a pronounced taste for beauty, colour and life! I love to explore painting techniques. It is for me an endless journey, filled with the happiness of accomplishment, the enjoyment of inventiveness, creativity! I couldn't live without creating. Creation is my vital engine, the source of my energy. Giving matter to, giving birth to, making with my hands, imagining, letting my eyes dream. Creating … In my second profession, as a lyrical singer, I am an interpreter of music, scores, composers. I am one of the tools of conductors (like soloists, instrumentalists, all choristers). Whereas in my job as a painter and drawer, I am a CREATOR. But my lyrical singer job balances me and brings me the pleasure of being on stage, in performance, in front of spectators, singing and dancing as part of a team, doing sensitive and artistic collective work. On the other hand, the fine arts, for me, can only be practiced in the solitude of the studio.

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