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Love the sea no. 1724 sailing typography Painting

Anita Kaufmann

Germany

Painting, Acrylic on Canvas

Size: 78.7 W x 35.4 H x 0.8 D in

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$3,110

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ABOUT THE ARTWORK

“The sea! the sea! the open sea! The blue, the fresh, the ever free!” – Bryan W. Procter written in ICAO-Alphabet, which is indispensable while sailing. 80 x 200 cm / 35“ x 78“ in Acrylics on canvas / texture Rolled shipment, ready to stretch Annotation to this new series: I lived with my family for 6 years from 2009 - 2015 on our boat at sea. During this time we sailed 35,000 nm (approx. 55,000 km) from Europe to Australia. We had a decisive experience on our Pacific crossing: In the middle of the night we were able to observe a fishing fleet consisting of three ships on the radar, which dragged a 50 km!! long net with them. Ultimately, we had to start the engines to escape this gigantic net. Until today I‘m still appalled by the incredible size of the net. Worth seeing: the documentation "Seaspiracy" to understand the effects of fishing on our oceans. I'm a fulltime freelance artist since 2003, you can find my work in galleries (London, Madrid, Melbourne), exhibitions, art fairs and in collections all over the world. Buyers outside of the European Union: Import duties, taxes and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. room view - example/dimensions may not scale

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

78.7 W x 35.4 H x 0.8 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m working as a professional freelance artist since 2003. In 2009 I changed my life and moved onto a sailing yacht with my husband and two kids. An incredible journey began: 7 years, 30.000 nm / 55.000 km, 28 countries. Storms, waves, transatlantic passages, the almost incomprehensible size of the Pacific, weeks with no land in sight, isolated islands... but also vibrant cities like Sydney, Panama City and New York, where we anchored in the Hudson river in front of the skyline of Manhattan for months. I spent one and a half year in French-Polynesia and got familiar with the Polynesian culture: Don‘t rush, take your time, live the moment. During the years on the sea I got inspired by the different cultures and people I met, as a result my work changed from abstract art to human faces. But sometimes I'm going back to my roots for abstract work. Mainly in elegant black & white, sometimes with colored accents, sometimes with silver/copper/gold leaves technique. Today I‘m living and working in the wonderful medieval city Regensburg (world heritage) on an island in the river Danube.

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