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Watercolor on Arches Cotton heavyweight cold-press. Painted using mineral pigments (jadeite, sodalite, amazonite...). The work is derived from 3 years of intensive rock and mineral realism studies within a project the artist named Giologica. Shapes and patterns are inspired by this unique part of nature, while the overall subject explores the artists long term theme of epistemologically driven, subconscious abstract constructions.

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With a background in the arts and philosophy, Benjamin is deeply interested in the use of art as tangible, acting theories of knowledge. His work has been exhibited in the US and Japan, garnering features and awards. Benjamin's paintings are noted for their epistemic bearing in the questions that they invoke. Concept, process and visual outcome align as one in the making of his work, providing a physical object that witnesses through its own self-evidence. 

Each series is a study into what can be known, what door can be cracked open to reveal realization and reassessment. Benjamin's exploration of inquiry has led him into many avenues including invention of process, abstract landscape, digital-as-manual, and geological realism.
Watercolor on Arches Cotton heavyweight cold-press. Painted using mineral pigments (jadeite, sodalite, amazonite...). The work is derived from 3 years of intensive rock and mineral realism studies within a project the artist named Giologica. Shapes and patterns are inspired by this unique part of nature, while the overall subject explores the artists long term theme of epistemologically driven, subconscious abstract constructions.

----

With a background in the arts and philosophy, Benjamin is deeply interested in the use of art as tangible, acting theories of knowledge. His work has been exhibited in the US and Japan, garnering features and awards. Benjamin's paintings are noted for their epistemic bearing in the questions that they invoke. Concept, process and visual outcome align as one in the making of his work, providing a physical object that witnesses through its own self-evidence. 

Each series is a study into what can be known, what door can be cracked open to reveal realization and reassessment. Benjamin's exploration of inquiry has led him into many avenues including invention of process, abstract landscape, digital-as-manual, and geological realism.
Watercolor on Arches Cotton heavyweight cold-press. Painted using mineral pigments (jadeite, sodalite, amazonite...). The work is derived from 3 years of intensive rock and mineral realism studies within a project the artist named Giologica. Shapes and patterns are inspired by this unique part of nature, while the overall subject explores the artists long term theme of epistemologically driven, subconscious abstract constructions.

----

With a background in the arts and philosophy, Benjamin is deeply interested in the use of art as tangible, acting theories of knowledge. His work has been exhibited in the US and Japan, garnering features and awards. Benjamin's paintings are noted for their epistemic bearing in the questions that they invoke. Concept, process and visual outcome align as one in the making of his work, providing a physical object that witnesses through its own self-evidence. 

Each series is a study into what can be known, what door can be cracked open to reveal realization and reassessment. Benjamin's exploration of inquiry has led him into many avenues including invention of process, abstract landscape, digital-as-manual, and geological realism.
Watercolor on Arches Cotton heavyweight cold-press. Painted using mineral pigments (jadeite, sodalite, amazonite...). The work is derived from 3 years of intensive rock and mineral realism studies within a project the artist named Giologica. Shapes and patterns are inspired by this unique part of nature, while the overall subject explores the artists long term theme of epistemologically driven, subconscious abstract constructions.

----

With a background in the arts and philosophy, Benjamin is deeply interested in the use of art as tangible, acting theories of knowledge. His work has been exhibited in the US and Japan, garnering features and awards. Benjamin's paintings are noted for their epistemic bearing in the questions that they invoke. Concept, process and visual outcome align as one in the making of his work, providing a physical object that witnesses through its own self-evidence. 

Each series is a study into what can be known, what door can be cracked open to reveal realization and reassessment. Benjamin's exploration of inquiry has led him into many avenues including invention of process, abstract landscape, digital-as-manual, and geological realism.

273 Views

42

View In My Room

M-192 Painting

Benjamin Adelmann

United States

Painting, Watercolor on Other

Size: 29.5 W x 32.5 H x 2.3 D in

Ships in a Box

SOLD
Originally listed for $1,005

273 Views

42

Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Watercolor on Arches Cotton heavyweight cold-press. Painted using mineral pigments (jadeite, sodalite, amazonite...). Shapes and patterns are inspired by this unique part of nature, while the overall subject explores the artists long term theme of epistemologically driven, subconscious abstract constructions.

DETAILS AND DIMENSIONS
Painting:

Watercolor on Other

Original:

One-of-a-kind Artwork

Size:

29.5 W x 32.5 H x 2.3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adelmann is deeply interested in the use of art as a study tool for investigations into epistemology and metaphysics. His practice challenges diametric structures related to physical and spiritual, seen and unseen, and heaven and earth. Adelmann explores the proposition of a supernal universe that precedes these maxims, established from studies in ancient history, religion and philosophy. In 2011, Adelmann received a BA in Philosophical Studies at CSU Northridge. After a year in an assistantship to a prominent artist, Adelmann was selected to attend the SSPI Painting Program at Tyler School of Art. He's shown in galleries from Tokyo to New York, and has been interviewed by critic Anthony Haden-Guest (who famously was the last to interview Basquiat) and curator Kate Mothes, among others. Benjamin has been active in shows and publications for the past 10 years. He lives and works in Washington USA.

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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