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STUDIO VIEW: Davis Lisboa, "Marcel Duchamp #4 (Paintings)", 2016, oil on canvas, 30 x 30 x 3,5 cm
CLOSE-UP DETAIL: Davis Lisboa, "Marcel Duchamp #4 (Paintings)", 2016, oil on canvas, 30 x 30 x 3,5 cm
REVERSE VIEW: Davis Lisboa, "Marcel Duchamp #4 (Paintings)", 2016, oil on canvas, 30 x 30 x 3,5 cm
ON A WALL VIEW: Davis Lisboa, "Marcel Duchamp #4 (Paintings)", 2016, oil on canvas, 30 x 30 x 3,5 cm
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Marcel Broodthaers #4 (Paintings)
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Marcel Broodthaers #4 (Paintings) Painting

Davis Lisboa

Spain

Painting, Oil on Canvas

Size: 11.8 W x 11.8 H x 1.6 D in

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About The Artwork

THE PAINTINGS SECTION FROM DAVIS MUSEUM The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona Davis Lisboa, “Marcel Broodthaers #4 (Paintings)", 2016, oil on canvas, 11,8 x 11,8 x 1.57 in (30 x 30 x 4 cm) The Geert De Kegel Collection, Zele, Belgium. What/who inspired the work? This work has been inspired by the Gerhard Richter, Luc Tuymans or Wilhelm Sasnal's paintings. Al these artists share the same line of work. What do you hope viewers will feel/think? I hope the viewers learn about this photograph of Marcel Broodthaers I used to make this work. In this reference, the Belgium artist is wearing a clown nose. Broodthaers used it to design a poster exhibition for his "Musée d'Art Moderne, Département des Aigles" (Museum of Modern Art, Department of Eagles). I hope that viewers feel the delicate nuances of oil brushstrokes on canvas. I hope they realize the first works of "The Paintings Section" were in black and white and I'm now using different shades of blue (Cobalt, Ultramarine and Prussian Blue). The use of this color in these collection produces a conceptual connection between the portrayed character and the Davis Museum corporate blue. Why did you choose the medium, subject matter, style? I chose the oil medium on canvas because it is the "king" of medium painting. I chose to do a portrait of Broodthaers as a form of "appropriation". It is a way to catch and memorize him, to try to understand his ideas. And I think I can start making his portrait. How will your artwork be packed for a movement? Artwork will be guaranteed to be shipped in accordance with high security standards, so that your shipment is as safe as possible while traveling from the artist's studio to your museum, gallery, hotel, business or home. For this, your oil paintings on canvas will be sent unrolled, stretched out on a wooden frame, flat, without frames and any special assembly. The packaging of wrapped canvases consists of: · An acid-free archival quality glassine paper cover · Two sheets of Foam boards · A sealed heavy plastic bag (to protect against moisture) · Two layers of bubble wrap and secure with tape · Cardboard protectors to each corner of the oil painting · Two other larger sheets of Foam boards · A sturdy cardboard box marked as "Fragile" Davis Museum Paintings Section in Private Collections Alejandro Vásquez Herrero Collection, Viladecans, Spain. Daniel Marcoux Collection, Montreal, Canada. Francisco Torres Collection, Barcelona, ​​Spain. Geert De Kegel Collection, Zele, Belgium. Soter Argyrou Collection, Nicosia, Cyprus. The Yellowstone Club Collection, Big Sky, Montana, USA.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 1.6 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Davis Lisboa and I was born in São Paulo, Brazil (1965). I have studied Desenho de Comunicação at the ETE Carlos de Campos and Painting at the Centre d'Art i Disseny Escola Massana and at the Facultat de Belles Arts de la Universitat de Barcelona. Since 1982 I've been working as a storyboard artist creating storyboards for various advertising agencies in Brazil, Spain, Russia, England or the United States. In 1987 I moved to Barcelona, where I worked as a graphic illustrator in a design studio and two years later, I opened my own illustration and painting studio. In 2005 I began to hold exhibitions as an artistic, figurative and contemporary painter at art galleries, cultural centers and art museums, and in 2009, I created the Davis Museum | The Davis Lisboa Mini-Museum of Contemporary Art in Barcelona, a cultural entity recognized by the Generalitat de Catalunya, now, expanding my activity towards cultural management. I have participated in several exhibitions, including Museum Show at Arnolfini, Bristol, England; Eleven: The John Erickson Museum of Art (JEMA) 10 Year Retrospective at The Harn Museum of Art, Gainesville, USA and at the Galería Bob Rauschenberg, Fort Myers, USA; Remix - 10 years in the mix at the en la Spor Klübü, Berlin, Germany; Small, Unusual and Specialist Museums Survey at the CRATE Studio and Project Space, Margate, England; Incubarte at Centro del Carmen, Valencia, Spain; FluxFest 2019, Pride Mail Project and Big Ideas in Small Art at The Rose Shelton Gallery, Toronto, Canada; Aquí y Ahora 6 - Power, corruption & lies at the Galería Blanca Soto, Madrid, Spain; VI Biennale Internazionale dell'Arte Contemporanea di Firenze, Italy; Holland Art Fair, The Hague; La Secció de les Pintures del Davis Museum, at the Casa del LLibre, Barcelona, Spain; NeoLatinísiiimo Art Biennial at the City Lights Gallery, Bridgeport, Connecticut, USA; Mirades des del confinament, con Joan Fontcuberta, Festival Cruïlla, Òmnium Cultural, Igualada, España, among others.

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