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Mood 03 Painting

Mir-Hamza Efendiyev

Azerbaijan

Painting, Acrylic on Canvas

Size: 50 W x 60 H x 2 D cm

Ships in a Box

€1,626

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Mood III is an exploration of tonal balance and visual space. The horizontal structure of the composition is emphasized through soft grey gradients and minimalist texture. The work captures a state of calm and focus, offering space for individual interpretation. Rather than conveying a specific narr...

Year Created:

2023

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

50 W x 60 H x 2 D cm

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Azerbaijan.

Need more information?

Need more information?

My work explores the space between presence and absence, clarity and ambiguity. Through restrained color, texture, and rhythm, I create surfaces where stillness holds a latent tension and time appears layered rather than linear. The works presented under the general title “The Gray Zone” form an artistic concept — a space where opposites converge: stillness and motion, matter and emptiness, visibility and disappearance. Through texture, light, and spatial reduction, I investigate transitional states in which perception becomes uncertain and fluid. In the series “Loft” and “Style and Space”, traces of architecture and accumulated time dissolve into atmospheric surfaces, transforming the notion of space into an ephemeral experience. The series “Watchers” introduces silent figures suspended between individuality and anonymity. Works such as “Mood”, “Before the Storm”, and “The Wave Train” are built on compositional rhythm and the variability of texture, revealing — beneath visual stillness — the inevitability of emerging tension. Grounded in a physical and process-based approach, the paintings do not illustrate ideas but exist as perceptual states where material presence, light, and silence intersect. Titles function not as explanations but as coordinates, allowing the viewer to enter the work without narration.

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