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NO: 6 THE SLUM OF GERS Painting

Caner Karavit

Turkey

Painting, Acrylic on Canvas

Size: 51.2 W x 39.4 H x 2 D in

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$6,000

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ABOUT THE ARTWORK

One of the coldest days in Ulanbator, almost -35 Celsius. I am walking from the center of the city to the suburbs and to the “Gerkondu”*. I am arriving at the shantytowns from the tent, the roads of which are separated by wooden curtains. It is very cold and there is no one in the side streets. My hands are almost numb. It's getting dark and I am passing the wooden curtains that separate the street from the “Gerkondus”. The door number that says "6" on a white background with dark blue contours catches my eye. There is a man sitting on a small stool in front of the “Ger”. I'm guessing from the drum next to the guy it's the Shaman. But it doesn't move at all, was the shaman frozen? Ger: A circular domed dwelling that is portable and self-supporting; originally used by nomadic Mongol and Turkic people of central Asia Gerkondu: The Slum of Gers Long text: .karavit/

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

51.2 W x 39.4 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Hello all! My name is Caner Karavit. I was born in Edirne and raised in Ankara. Currently, I live in Istanbul. Journey of my artistic outlook could be periodized in two stages. First, the contemporary art-related performances, paintings and printmakings that I executed with domestic and foreign art groups. This period corresponds to my higher art education at Istanbul Fine Arts Academy. In both group performances and individual works, the influence of the Western contemporary art, that I was provided during my art education, was intense. The themes of my Western-style contemporary art works were contributed by the layers of the cultural geography in which I was raised. Second stage is deeply affected by the Chinese art, on which I had education from 2007 on in China. During the first years of my presence in China, in Tsinghua University that I worked with a scholarship, I studied woodcut which is one of the oldest arts in China. In following years, I did research on Chinese Buddhist art and took lectures from Liu Hanshi who is a renowned Chinese painting master. These works and studies of mine rendered me with a comparison between the Western and Eastern art, and a synthesis of them both. Studying both of the artistic waves, not only I observed the differences in use of materials but also the differences in mindsets, with their artistic elements and installations. Accordingly, my studies in China changed my perspective towards the composition. The Chinese philosophy of time and space that influenced Chinese art, in turn predominantly influenced the abovementioned change in my understanding of composition. In this context, focusing on element of line, I reflect the places inversed to convert Chinese concept of time into space.

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