"Naked #02" Painting
Painting, Acrylic on Paper
19.7 W x 27.6 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$2,280
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ABOUT THE ARTWORK
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SHIPPING AND RETURNS
Is there a difference between ‘The Nude’ and ‘The Naked’ or are these descriptions interchangeable? Perhaps the word ‘naked’ implies vulnerability greater than the word ‘nude’? ‘Nude’ adds decorum to ‘being naked’, ignoring society’s demands for modesty, for clothing, as the requisite to being civ...
Year Created:
2019
Subject:
Mediums:
Painting, Acrylic on Paper
Rarity:
One-of-a-kind Artwork
Size:
19.7 W x 27.6 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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I am an architect and a contemporary fine artist living and working in Hampshire. Born in Nairobi, I graduated as an architect from Nottingham University, worked extensively both in Kenya and in England before establishing my own architectural practice, ‘Rita Sennik Architects’ at the turn of the century. In 2011, I enrolled at Southampton University to pursue my lifelong passion for painting. A recent Fine Art graduate from the Winchester School of Art, I am developing my practice as a painter and a sculptor.
My practice explores the emotional dynamics of being a woman, engaging the female form and face to deconstruct established precepts of the nude and portraiture. Using the frame of the gallery, the history of painting, celebrating Modernism, my work realigns itself through process and the materiality of the medium within the context of post-modernism.
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