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Neutief Painting

Daniil Belov

Painting, Oil on Canvas

Size: 7.9 W x 11.8 H x 0.8 D in

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About The Artwork

Material: canvas on hardboard One of the main points of my journey through the Kaliningrad region was the airbase Neutief at the Vistula Spit. The base was built in 1939. It was one of Germany’s most well-equipped bases at that time. It was the base for ground-aviation and hydro-aviation which were used in the battles of World War II till the base’s capture in 1945 by the Soviet forces. The base was the last defensive line of Nazis in East Prussia. The base appeared before me as ruins of buildings. Some of the airplane sheds retained the remainders of round-headed windows from the thick reinforced glass. The navigation tower made of dark-red brick with the huge, likely forever, stopped clocks rose as a vertical dominant. Burnt structures of some of the buildings stuck up like black skeletons, soaking up light like a sponge. The German architecture with its straight lines and dense red color was sharply contrasting with the green background. The concrete roadway of the airdrome had become overgrown with grass. It seemed that the plants tried to find any crack in the concrete and iron with special fury, following the sunlight, greedily taking up the space around when they found it. The cows were grazing amidst rusting iron, devouring this juicy green growth. The flocks of seeds, carried by the wind, were clinging to the grass. The life was ruling with rapture over that which once was used to destroy it.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:7.9 W x 11.8 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Recently I’ve been interested in the question: how to paint so that the painting would give such strong feelings as the music of Bach or Schnittke? It is the problem I try to solve when I paint my pictures – how to fully express with paints the things that give rise to my emotions. How to express the full variety of these feelings turns out to be what is most difficult. It can be silent contemplative joy, nervous waiting or union of beauty and dramatic effect. That’s why beauty and convergence with nature for me are only some of the means of expression and the revelation of the image. Have you noticed how weather influences your mood, how objects hold memories about what they were associated with, how the world around us influences our emotions, senses, feelings? Compare your mood when warm sunbeams wake you up with when the whole sky is clouded over and rain is pattering on the windowsill. In this sense nature is a splendid figurative method. All I have to do is use it right and to combine it with all the other, no less significant expressive methods, that I control, which will help me to convey exactly what I want to share. I want to deal with such paintings, in contact with which a wave of searing pain will rise to the throat or feelings of joy or peace will overflow; that a viewer, seeing my picture, will live through it with me as its author and performer.

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