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Painting, Acrylic on Canvas
Size: 36 W x 47.5 H x 1.5 D in
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98 Views
11
Showed at the The Other Art Fair
Artist featured in a collection
Dawn, sunrise, a new day-- all are symbols of a new start and a new chance. I have tired to evoke the way it feels to step outside in the morning on a sunny day and face east toward the sun that's just starting to warm all below it. This painting is composed of five layers, each showing through a little bit , which creates a depth. All the edges of shapes are deliberately softened. The undercoat was of extra thick gesso, creating texture. The the first layer of color was entirely of spattered dark green droplets. These are still visible . in the largest leaves. Then came the air which hums from thousands of brushstrokes of varying shades of yellow, white and turquoise. Then a clear tinted glaze of deeper sap green on the leaves. Lastly I scrubbed the lightest milky white top layer over the big leaves, toning down their color, bathing them all in the same milky yellowish morning sunlight. This is an optimistic painting if ever there was one.
2019
Acrylic on Canvas
One-of-a-kind Artwork
36 W x 47.5 H x 1.5 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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Clients include: Timothée Chalamet, Starbucks, Ritz Carlton, Mayo Clinic, Jumaira Resort (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco, Evercore NY, Apollo Global Management, NY, Mazars Accounting NY, Limelight Mammoth Hotel & Residences, MD Anderson Hospital, Houston Methodist Hospital, Oakland International Airport. Christine So is a painter, photographer and printmaker living across the San Francisco Bay in the hills of Oakland, California. Her works are heavily inspired by the woods where she has lived and hiked for decades. She works in acrylic and in the antique photographic process of cyanotypes. She creates botanical and abstract prints without a camera lens, as well as hand-printed landscape photographs of the foggy woods where she lives. Whether it’s painting, printmaking, or photography, her work is always nature-inspired and nearly always monochromatic. She has worked in a dozen mediums, cycling back and forth from painting to printmaking to cyanotype, applying effects from one medium to the next. She bridges the mediums of photography, monoprinting and painting. Her favorite question when working in the antique photographic process of cyanotypes is “What would happen if…?” She has devised a range of atypical techniques using the cyanotype process. Arguably the most striking of her unique methods are her cyanotype paintings in her Delft Garden series. The painted silhouettes of plants each contain an intricate blue and white pattern within them when viewed up close.The lengthy process begins as a pencil drawing which is then painted in–not with ink or paint–but with the cyanotype light-sensitive mixture in a dark room. It’s a tricky process as it’s hard to see what one is painting in very dim light. Days later once the photography chemicals have dried in the painting, she lays plants on top of the painted silhouette in a pattern that will leave gaps similar to lace. She then carefully moves the entire bundle outside and exposes the pattern to sunlight to create the image-within-the-image. The blue and white pattern seen in each leaf resembles painted Delft pottery, thus the title of this series: Delft Garden. Another of the artist’s innovative techniques is her series of completely abstract cyanotypes printed without photo negatives or stencils.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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