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Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, archival pigment prints (collage) on canvas. The artwork comes ready to hang.

By experimenting with gesture, pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point for this series. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surfaces are the subject matter of the paintings. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments. This palimpsest is anchored with swatches of paint overlaid with pigment prints and fabrics, overpainted again and sealed with UV coating. Source images of overpainted printed matter provide a catalyst to delve into what is hidden and what is seen.
detail
Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, archival pigment prints (collage) on canvas. The artwork comes ready to hang.

By experimenting with gesture, pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point for this series. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surfaces are the subject matter of the paintings. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments. This palimpsest is anchored with swatches of paint overlaid with pigment prints and fabrics, overpainted again and sealed with UV coating. Source images of overpainted printed matter provide a catalyst to delve into what is hidden and what is seen.
detail

1941 Views

80

View In My Room

New York Art Evening Auction #1 Painting

Peter Vahlefeld

Germany

Painting, Acrylic on Canvas

Size: 53.1 W x 78.7 H x 2 D in

Ships in a Crate

SOLD
Originally listed for $16,440

1941 Views

80

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Oxidized pigments (aluminium, copper, gold, iron), water-based medium, oil, archival pigment prints (collage) on canvas. The artwork comes ready to hang. By experimenting with gesture, pigments like gold, silver, copper, aluminium, and iron mixed with water-based mediums are the starting point for this series. The obliteration of the motive by gigantic brushstrokes as a performative process of dragging, scraping, combing, raking and squeegeeing paint, pigments, and mediums across the surfaces are the subject matter of the paintings. The background remains saturated through grooves made by smaller brushstrokes until the canvas picks up textures, gestures and happenstance along the way. The light hides itself in the crevices of silver and gold, sculpted by the line of the brush and the oxidization of the pigments. This palimpsest is anchored with swatches of paint overlaid with pigment prints and fabrics, overpainted again and sealed with UV coating. Source images of overpainted printed matter provide a catalyst to delve into what is hidden and what is seen.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

53.1 W x 78.7 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Peter Vahlefeld's visceral artworks combine a rigorous, process-based practice, continually rethinking the possibilities of painting. The act and idea of »building« the paintings encapsulates his multi-tiered approach to each piece that unfold in an intricate, unpredictable interaction of layers and excess—a constant juggling of paint, prints, fabrics, and effect to enhance the capacity of the surface. Using references to a broad array of sources, including art history, literature, and pop culture, he creates paintings that alternate between flat experience and dimensionality. Perfectly poised between European and American traditions (Art Informel, Abstract Expressionism, Pop Art), they draw their actuality from the collision between the visual codes of mass media and the subjective traces of painterly expression and combine complexity into a visual richness that is neither figurative nor abstract. Peter Vahlefeld has participated in a variety of solo exhibitions, art fairs, and venues such as Neumeister Fine Art Auctioneers (Munich), Sotheby's (Vienna), Fritz Hansen (Denmark) and Allianz Art Collection. His work can be found in private and corporate collections throughout Europe, the United States and Asia. Peter Vahlefeld was featured on the German television channel ZDF, and currently works in Berlin and Munich.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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