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New Zealand
Painting, Oil on Wood
Size: 23.2 W x 5.5 H x 0.8 D in
Noho Marie ~ Stay in Peace The plant pingao (sand sedge) was given to Tangaroa by Tane as an act of peace between land and sea. The wooden mouth piece of the pupakapaka (long necked conch shell trumpet) is symbolic of Tane and the tatara (trumpet shell) of Tangaroa. The pingao plant binds them together in peace. Oil, 3D paint, textured compound, fibre, feathers, wood. 14 x 59 cm
Original Created:2016
Subjects:Music
Materials:Wood
Styles:SurrealismFigurativeFine Art
Mediums:OilWood3D Sculpting
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:23.2 W x 5.5 H x 0.8 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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New Zealand
I was born on Moturua Island, New Zealand in 1968. I was named by Rongo and Te Aue Hakaraia, very close family friends. I grew up with an artistic family in the Bay of Islands. My Father a potter, my Mother and Sister both painters, we were always surrounded by art and artists. During 1983 & 1984, I was inspired by the tutorage of Selwyn Wilson who taught me kowhaiwhai and encouraged me to pursue my creative style, empowering and enabling me to follow my artistic path.My early influences were Goya and Dali. After leaving school I studied oil painting techniques from books focusing on 17th Century Dutch Painters. I traveled to Europe in 1988. The Prado and Dali Theatre Museums were pivotal experiences on my creative journey. On returning to New Zealand with my mind completely saturated with art, I moved to Raglan and developed my style in the genres of Social Surrealism, Mysticism and Symbolism. In 1992, I completed a year at the Canterbury School of Fine Arts. I fell in love with the South Island of New Zealand, its deep mystery permeating the land and its people. For the past thirteen years my work has followed a personal inner journey on the river of the mind. This has dealt with the process of separation, vulnerability, empowerment and integration.Throughout my life Maori symbology has asserted itself strongly in my work. Polynesian influences have surrounded me throughout my life and I have a strong affinity with the Land and the Sea. My Paintings reflect the stories/narratives of the experiences of Rangi/Grandfather Sky, Papatuanuku/Grandmother Earth and their children over the ages.Concrete images narrate my views and comments to a broad audience. Through my art I honour the timelessness of Ancient histories and mythologies of this land and its peoples. I am committed to discussing the world with others through my art. In this process I swing from the dark/Po to the light/Ma, taking inspiration from both worlds.
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