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France
Painting, Egg Tempera on Wood
Size: 12.2 W x 10.2 H x 0.4 D in
Ships in a Box
This painting is part of a series called 'Abundance', which celebrates the quantity and variety of life on earth. In this picture, the focus is on the small creatures that live on the ground amongst the grass - snails, frogs, mice, ladybirds, ants and others - very often unseen by us although they share our space. The huge, golden sun and the golden stems of grass fill most of the panel, leaving only a small, intimate space for the animals, which swarm over the stems and up into the light. The deep red on black background adds to the feeling of intimacy and concealment, as if the viewer is crouching in the grass, spying. Traditional techniques have been used, including hand ground egg tempera paint and water gilding on a gessoed oak panel. The gold has been burnished and the sun punched to create a sparkling effect, contrasting with the gleaming, flat stems of grass. The painting is signed and dated on the reverse and has a d-ring attached so that it is ready to hang.
Original Created:2022
Subjects:Animal
Materials:Wood
Styles:FigurativeFine Art
Mediums:Egg TemperaGold Leaf
Painting:Egg Tempera on Wood
Original:One-of-a-kind Artwork
Size:12.2 W x 10.2 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I am a British artist based in the western suburbs of Paris. Firmly rooted in medieval methods, I use aesthetic devices originally meant to glorify the church to make secular paintings conveying the wonder and power of the natural world and the ambiguity of man’s relationship with it. I fell in love with early Italian painting while living in Florence, and returned to the UK to study it in a masters degree at Oxford University. I then went on to train as a paintings conservator at the Hamilton Kerr Institute, Cambridge, where I became passionate about the materials and techniques of medieval European art and learned to gild and paint in hand-made egg tempera on wooden panels prepared with gesso. After many years researching these methods in theory and practice, culminating in the publication of my annotated translation of Cennino Cennini’s fifteenth century treatise on art, I began to develop my own artistic practice. My paintings, which have been sold to collectors world-wide, have been selected for numerous local salons and I was shortlisted for the New Emergence Art Prize in 2022.
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