VIEW IN MY ROOM
Spain
Painting, Acrylic on Canvas
Size: 38 W x 20 H x 1 D in
Ships in a Crate
Description: The painting "Panoramic View of Manresa City" is a colorful and detailed depiction of the Catalan city of Manresa. The painting is done in mixed media, using oil, acrylic, and collage. The vantage point of the painting is elevated, allowing the viewer to contemplate a panoramic view of the city. In the foreground, one can observe the streets and buildings of the historic center of Manresa, with their characteristic red roofs. In the center of the image, the imposing basilica of Santa María de la Seu stands out, an important Catalan Gothic monument. In the background of the painting, one can see the mountainous landscape that surrounds Manresa, with the Llobregat River winding through the valley. The painting is full of details, such as cars driving through the streets, people walking on the sidewalks, and birds flying through the sky. Identifiable elements in the painting: Torre comtal: A medieval tower located in the historic center of Manresa. Santa María: The basilica of Santa María de la Seu, an important Catalan Gothic monument. Larpa: A modernist building located in the Plaza Mayor de Manresa. Magatzem Jordan: An old warehouse located on Calle del Born de Manresa. Kursaal: An old theater and ballroom located on the Rambla del Passeig de Pere III de Manresa. Nil: The Llobregat River, which flows through the city of Manresa. Interpretation: The painting "Panoramic View of Manresa City" is a celebration of the beauty and history of the city. The painting captures the essence of Manresa, with its rich architecture, its vibrant urban life, and its natural surroundings. The painting is also a testament to the pride that the inhabitants of Manresa feel for their city. The painting is a work of art that invites the viewer to discover and enjoy the city of Manresa
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:38 W x 20 H x 1 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Hi my name is David León, also known as @ds.leon, I am a multidisciplinary artist with a primary focus on figurative sculpture and also have experience in painting. My story began on a stormy night in the summer of 1979 in Barcelona when a 21-year-old woman gave birth to her first child, a small, big-headed, and hairy boy. I studied in different traditional private schools, where "donkey, the letter only enters with blood" was the motto. Throughout those years, I was humiliated and mistreated, which led me to hide my connection with the plastic arts out of shame and embarrassment. At the age of 14, my mother, after spending a fortune on "RUBIO" handwriting notebooks, decided to take me to a psychologist. Yes, I had dyslexia, so I couldn't write or draw, let alone read. With that diagnosis, a new chapter of my life began: a teacher taught me how to write again. I continued my high school studies and graduated as a Technician in Metal Construction. During those years, the explosion of rap and graffiti took place, which captivated me. In 1994, Montana Colors arrived in paint stores, and armed with the most colorful sprays of the time, I started painting walls like crazy. Although my artwork was not very good, I continued to do it impulsively because I felt an internal need to express myself. Some considered me an artist, but for others, I was simply a vandal dirtying the walls of Barcelona. The years passed, and punk conquered me: the music, the concerts, the libertarian collectives, the squats... They kept me away from the art world for some time. It was another way to express myself to a society that not long ago had emerged from a dictatorship. This time, the materials and mediums were the same, but the colors and messages were different: blacks, reds, and yellows. It was a rebellious youth filled with demands for labor rights, gender equality, discontent with wars and hard drugs, among other things. Following my curiosity and need to express what I feel, my unique way of seeing life and what surrounds me, the day came when I transitioned from the street to exhibition halls to explain and share my story and concerns with a different kind of audience through art.
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