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Poachers abduction starts at 10 Painting

Federico García

United Kingdom

Painting, Oil on Other

Size: 51 W x 59 H x 3 D in

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About The Artwork

Cheltenham Puzzle technique. Materials: Oil, Wax, Wood. The painting is a diptych made up of two canvases in triangles and a functional clock inserted in one of the triangles representing a flying saucer that crosses the cut canvas. The clock is made with a saucer and one soup spoon, and one teaspoon. - Poachers abduction starts at 10. It is a painting inspired by the paradoxical beauty of landscapes in The Cotswolds. Rich in pleasant green hills, but as the naturalist Sir David Attenborough sadly reminds us, speaking of fauna, it is among the most depleted places on the planet. We have fingers left over if we want to count species when walking through these beautiful landscapes. There are no animals left to count, and there are still hunters who boast that they are. I would like in my impotence to be the captain of that flying saucer passing through that golden portal of the future to change our bad habits of agriculture in the open field and with little respect for animal life.

Details & Dimensions

Multi-paneled Painting:Oil on Other

Original:One-of-a-kind Artwork

Size:51 W x 59 H x 3 D in

Number of Panels:2

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Federico García, and I was born in Venezuela in 1965. I studied at the Arturo Michelena School of Fine Arts in Valencia, Venezuela, 1970. My love for nature made me study agriculture at the Jesuit technical school; with it, I became interested in photography of the environment. During my trips around the world, I made photographic albums on the life of different cultures. As a photographer, I worked for the UN. We created a project called Artists of Peace, and it sought to encourage peace through art, in this, I found part of my inspiration for the creation of artistic works with transcendental messages, intending to instil a collective conscience for the peace of humanity and the well-being of the environment. Due to the political situation of Venezuela, we had to emigrate. I have been able to learn many valuable lessons that I want to transmit through my work, which I'm currently carrying out in the heart of Cheltenham, Uk. The current evolution of my work it's based on the union of multiple stone-shaped frames, conforming a three-dimensional texture of a solid wall, where I present my oils as graffitis with transcendental themes linked to our human existence, combining the duality of good and bad, known or to be known. I want to create with my style, the crack that breaks that old mental dam and make people's ideas flow out of the square box. No line resists the curvature of the Universe.

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