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Puerta del Infierno Painting

Jaume ESTARTUS

Spain

Painting, Acrylic on Canvas

Size: 36.2 W x 28.7 H x 1.2 D in

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About The Artwork

During the Spanish Civil War in the 1950s, the art world was transformed by great Spanish artists such Antonio Saura (1930-1998) and Antoni Tapies (1923-2012), that inspired by surrealism and american abstract expressionism, led to a type of unconventional artwork. An abstract artwork, with dense textures, with a range of neutral colors and with poor and ephemeral materials such as earth and cardboard. As part of this circle of artists, Estartus began an artistic revolution through his materialistic and informal artwork. He leaves behind the old tradition of separating the canvas from the artwork in favor of uniting them into a single piece like a wall. By investigating the materials and experimenting with them, he creates a three-dimensional artwork. Using the support as a wall, he makes incisions, grooves, and perforations. He applies the technique of grattage, and leaves traces of the passage of time with the changing material, such as rusted metal. "All hope abandon ye who enter here" (Alighieri, 1304). With this inscription on the Gates of Hell begins Dante's journey into the world of damned souls. The Gates of Hell, interpreted over the centuries by different artists such as William Blake and August Rodin, also inspire Estartus, who makes a reinterpretation through abstraction and its transgressive and groundbreaking character. Using non-traditional materials such as sand and cement mixed with paint, Estartus breaks away from the conservative artistic language. Hell's door is opened against a black background, which represents the darkness of hell. In the center of the composition, a red light stands out and invites the viewer to enter hell, leaving the world of the living behind.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:36.2 W x 28.7 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Estartús began painting as soon as can be expected from someone who considers our lives and the act of doing it inextricably linked. He always enjoyed success in both of his parallel careers, one in the medical filed and his artistic one. Earlier on his art shifted from realistic to abstract, always basing the work on the treatment of materials, textures, colors and shapes and beauty as the common thread, then evolved and both figuration and abstraction coexist. Death, the unknown, the soul, mystery, and anxiety about the speed at which our existence can end are themes that run throughout his artwork. He is one of the best representatives of contemporary painting, an existentialist capable of conveying the desire to seek the meaning of everything with his art and of reinvention with each series he creates. Dynamic, yet into psychoanalysis and introspection, he fully immerses himself in the creative process and uses materials as varied as oil and acrylic paint, grease pencils, wax crayons, graphite and Chinese ink, burlap, wood, synthetic fibers, tar, vinyl, corduroy, sand or metal on paper, cardboard, canvas, wood and metal plates. His works of art have been selected and curated by exhibitors around the globe.

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