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Painting, Acrylic on Canvas

23.6 W x 35.4 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$4,040

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→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The Pulse shooting in 2016 in Orlando Floria resulted in the death of 49 people and wounded 53 more. The attack was both the deadliest incident of violence against the LGBTQ+ community and the deadliest mass shooting in modern US history. I can’t imagine the horror of that day. In queer spaces pe...

Year Created:

2023

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 35.4 H x 0.8 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Conor  Collins

About the Artist

Conor Collins

United Kingdom

Conor Collins is a self-taught Manchester artist whose figurative paintings use portraiture, text and materials loaded with cultural and political meaning to examine power, identity, history, celebrity and the politics of looking. His work takes familiar images and gives them something harder to ignore.

Collins is currently presenting his solo exhibition 'To See and Be Seen' at HOME Manchester, responding to the Queer Up North archive and the city’s queer histories. His work has been exhibited internationally and in major UK institutions, including BOZAR Brussels, the House of Commons and Scarborough Art Gallery. He won the START Art Prize, with the resulting exhibition presented at BOZAR Brussels, and has been shortlisted or selected for the Aesthetica Art Prize, VAA Artist of the Year and New Light.

His work has been featured by TIME, The Independent, The Economist, BBC and The Guardian, and is held in collections including those of Sir Ian McKellen, Stephen Fry and Giorgio Armani.

Collins is interested in the uncomfortable space between looking and being looked at: who gets seen, who gets remembered, and who gets to control the image.

For Collins, a portrait is never simply a likeness. It is a negotiation between the person seen, the person looking and everything neither of them can quite hide.

Recognition:

  • Artist featured in a collection

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