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Woman
Woman - a detail
Man
Man - a detail

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Quasi Coitus Painting

Denisa Kolarova

Slovakia

Painting, Acrylic on Canvas

Size: 47.2 W x 39.4 H x 1.2 D in

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$8,280

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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One of most evocative paintings of the figure. The artwork is about exposure of naked human body (both female and male) with magenta and turquoise colors - magenta showing the copy of the body of a man on the painting of a woman nudity, as the contrast to usually cold colors connected to males, and ...

Year Created:

2014

Subject:
Medium:

Multi-paneled Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 39.4 H x 1.2 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Slovakia.

Customs:

Shipments from Slovakia may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

In the remarkable evolution of Kolářová’s work over the last decade, she has harnessed and redirected these currents of Vienna Secession, Der Blaue Reiter, and symbolism along with fauvism, orphism, primitivism, and surrealism. There are visual ripples from Klimt, the Wiener Werkstätte, and Csontváry, also, from greater distances, Redon, the Delaunays, Dubuffet, and Miró. Clear influences by twentieth-century masters, and Czecho-Slovakness, is evident; and also an individual revelations of Kolařova as an artist in color and form. Kolářová’s art is distinctly East Central European but indelibly her own: sinuous, mystic, rich in color, intricate in detail, and inventive in its combinations of materials. Dragonfly (2008) captures a moment for a feverish insect as Klimt might have portrayed a coolly intellectual Viennese hostess. Tender (2010) is tensed between the painterly and naturalistic, between soothing colors and taut strokes. Schizophrenia (2012) combines humanity, linearity, and a haunting wound with deep textural pleasure. Each of Kolářová’s works makes one think, but never in a way coldly detached from the shapes and shades of real things or from paint and the joy of applying it. They confront crisis but explore beauty even in the midst of crisis. The golden dragonfly (2010) captures by the way it dominates the frame of the picture; its appearance of kineticness in a fixed medium; the detail (particularly of the wings), which is something artists often dispense with in abstractions; the focus of the palette; the contrasting energies of the verticals, horizontals, and spots and the way they also waver in their strength. Thinking about it, it is actually the detail on the body of the dragonfly that is more unusual and interesting. James Papp

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