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RedSpaceMovement (RotRaumBewegung)

Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.
RedSpaceMovement (RotRaumBewegung)

Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.
RedSpaceMovement (RotRaumBewegung)

Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.
RedSpaceMovement (RotRaumBewegung)

Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.
RedSpaceMovement (RotRaumBewegung)

Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.
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RedSpaceMovement I (RotRaumBewegung I) Painting

Andreas Kuhn

Germany

Painting, Oil on Canvas

Size: 37.4 W x 45.3 H x 0.8 D in

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32 Views
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About The Artwork

RedSpaceMovement (RotRaumBewegung) Red shades stand out, they push forward towards us, they emphasize something, arouse our attention, they are invigorating and activating, have a signal effect. This is outside in urban or natural spaces as well as in film or on two-dimensional images. Even with two-dimensional images, shades of red come up to us and shades of blue take us into the distance and thus create or reinforce the impression of three-dimensional space. This is also the case with images that do not depict objects. In Painting, color spots and clouds of color are transformed into color spaces by the different close and distant effects of the colors (e.g. red and blue). In the painting cycle “RotRaumBewegung” (RedSpaceMovement) the palette is reduced to red, yellow and white. Nevertheless, there is a very special color spatiality, due to the white and light yellow lightening, in which we can move perceptually and "recharge" the invigorating power of the colors.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:37.4 W x 45.3 H x 0.8 D in

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« I think that art can create a free space in which the constructive and lively imagination is stimulated. » Andreas Kuhn is an established German artist who exhibits internationally. His works can be found in private collections in Australia, Germany, England, New Zealand, Norway, Scotland, Spain and Taiwan. With wide bristle brushes, the artist brings the colors onto the canvas in swinging and sweeping brush strokes. The pasty consistency of the oil colors allows each brush trace to remain visible as a relief-like structure. Kuhn often overlays several painting layers to form a complex tissue. The light is refracted and reflected by these color structures in such a way that the image appears different and in motion from every viewing angle. Unleashing the power of colors, balancing counter-movements, modulating light: Kuhn is concerned with the harmonious balancing of all picture elements. One subject of his art is the balancing act itself, the dynamic balance of a variety of viewing options. The artist always works in painting cycles, in which he plays through a common theme, a certain color, different color contrasts and paint application, as well as a special kind of mobility, rhythm, etc. in variations. «My art is pure joy in playing with the variety of color nuances, color intensity, color contrasts, color movements, color jumps ... that can radiate far beyond the playing field. This is serious business. Keep playing too ... Lucky You!»

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