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Reproduction of Raffaello's "La Velata" / "The Lady with the Veil" from 1514 Painting

Fedor Rakic

Serbia

Painting, Tempera on Canvas

Size: 14.4 W x 17.6 H x 1.6 D in

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About The Artwork

With this reproduction I tried to evoke the beauty of the Raphael's painting "The lady with a veil". For the composition, I did not use a complete painting, but only one part of it. I did not recreated the 100% accurate face on this portrait, because at the time I had a very poor photo print of the original. Also, at the time the painting was created, there was no Internet and we had no easy way to find good photographic prints of the original artworks from any famous artist. That's why I made this painting looking up to a photo print on an Italian chocolate pralines that you could bought in the stores at the time. Yeah I know!, it sounds silly :). However, I think that I have managed to recreate this portrait atmoshepere to some extent or at least the part of it, but also to add one percentage of my own individuality, if I can say so modestly, looking up at this Renaissance painting giant. Originally this is a painting by Raffaello Sanzio from around 1514–1515. Tradition identifies the subject with "la Fornarina", the woman whom the painter loved in his last years and whose face reappeared in both his paintings (e.g. in the Sistine Madonna) and those of his followers. However, the woman, has never been decisively identified. She seems to represent Raphael's ideal of beauty at this time. The painting shows greater attention to colour and to the rendering of skin and clothes in respect to previous female portraits. The regular oval of the young woman's face stands out against the dark background and her eyes hold an intense and penetrating look. The silk of her sleeves contrasts with her ivory-like skin, and is closely associated with the thin pleating of the dress, held up by a corset with golden embroidery. As in the portrait of Castiglione, the figure radiates a sense of great dignity and restraint. But greys and light-blues dominated the portrait of Castiglione: here the warm tonalities of white and gold take over.

Details & Dimensions

Painting:Tempera on Canvas

Original:One-of-a-kind Artwork

Size:14.4 W x 17.6 H x 1.6 D in

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Born on in Belgrade, Serbia. Educated in IX Belgrade Gymnasium as a Computer Programmer and under the influence of his artist parents (who were both Masters of Fine Art), he commences to study Academy of Applied Arts and Design in Belgrade (EU) and graduates at Graphics and Wall Painting Section in 1999. From 1998. to 2000. he was a part of the team that painted (in secco technique) several New Byzantine Orthodox churches through Bosnia and Hercegovina (Brcko, Bjeljina, Gacko, etc.). After graduation in 1999. he was enrolled in interdisciplinary MA studies of Digital Arts at the University of Art in Belgrade, and in 2006. he received Magistry Degree in this field (level between MA and PhD). From 2009. he was enrolled in PhD studies at the same University and in 2014. got certificate for PhD University degree as a PhD in Digital Arts. When it comes to his canvas paintings, they are founded on Surrealism and Metaphysical elements, but for the last 14 years he is searching and expressing his art in a variety of different media combining traditional with digital, digital with analogue and similar. Concerning previously mentioned, Fedor has 23 years of experience in working within many digital and traditional techniques in art: oil, tempera, wall painting, digital painting, graphic design, web design, prepress, video editing, animation, 3D graphics, 3D animation, etc.

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