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Author: William Marquina Series: chaos Title: Rules #2 Technique: acrylic on paper glaze Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Words key: World, system, rule, abstract, line, paint, color, yellow, violet, magenta, acrylic, paper. Description: According to analysts, many of the systems in our modern world are the basis of the development of a society. But scrutinizing these systems we see that there is a dizzying creation of networks based on rules. In this work, I interpret this aspect in the vision of a matrix. I've used the lines as the main element of this painting without seeking the rigidity of perfection because I'm interested in the degrees of the hand pulse, which is the same as saying, how I am interacting with a completely abstract element without the help of technical means. This action reveals a kind of freedom that I control with the hands providing me a reduction in restrictions to what we commonly understand by the word "line" or "linear" to me. This action me takes to think on it imperfection as an element abstract of what really not found in the reality, i.e., the line in itself is an element completely abstract, not exists it line as such, and therefore them rules of the society nor are forms concrete. Black spots represent the composition an object about which influenced the matrix, an object like the human being or any other living being, from there that it is no coincidence that the matrices of the systems of our society can cover and dominate all other beings of this world even.
Author: William Marquina Series: chaos Title: Rules #2 Technique: acrylic on paper glaze Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Words key: World, system, rule, abstract, line, paint, color, yellow, violet, magenta, acrylic, paper. Description: According to analysts, many of the systems in our modern world are the basis of the development of a society. But scrutinizing these systems we see that there is a dizzying creation of networks based on rules. In this work, I interpret this aspect in the vision of a matrix. I've used the lines as the main element of this painting without seeking the rigidity of perfection because I'm interested in the degrees of the hand pulse, which is the same as saying, how I am interacting with a completely abstract element without the help of technical means. This action reveals a kind of freedom that I control with the hands providing me a reduction in restrictions to what we commonly understand by the word "line" or "linear" to me. This action me takes to think on it imperfection as an element abstract of what really not found in the reality, i.e., the line in itself is an element completely abstract, not exists it line as such, and therefore them rules of the society nor are forms concrete. Black spots represent the composition an object about which influenced the matrix, an object like the human being or any other living being, from there that it is no coincidence that the matrices of the systems of our society can cover and dominate all other beings of this world even.
This action reveals a kind of freedom that I control with the hands providing me a reduction in restrictions to what we commonly understand by the word "line" or "linear" to me.
Author: William Marquina Series: chaos Title: Rules #2 Technique: acrylic on paper glaze Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Words key: World, system, rule, abstract, line, paint, color, yellow, violet, magenta, acrylic, paper. Description: According to analysts, many of the systems in our modern world are the basis of the development of a society. But scrutinizing these systems we see that there is a dizzying creation of networks based on rules. In this work, I interpret this aspect in the vision of a matrix. I've used the lines as the main element of this painting without seeking the rigidity of perfection because I'm interested in the degrees of the hand pulse, which is the same as saying, how I am interacting with a completely abstract element without the help of technical means. This action reveals a kind of freedom that I control with the hands providing me a reduction in restrictions to what we commonly understand by the word "line" or "linear" to me. This action me takes to think on it imperfection as an element abstract of what really not found in the reality, i.e., the line in itself is an element completely abstract, not exists it line as such, and therefore them rules of the society nor are forms concrete. Black spots represent the composition an object about which influenced the matrix, an object like the human being or any other living being, from there that it is no coincidence that the matrices of the systems of our society can cover and dominate all other beings of this world even.
This action me takes to think on it imperfection as an element abstract of what really not found in the reality, i.e., the line in itself is an element completely abstract, not exists it line as such, and therefore them rules of the society nor are forms concrete.
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Rules #2 Painting

William Rafael Marquina Buitrago

Ecuador

Painting, Acrylic on Paper

Size: 19 W x 13 H x 1 D in

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About The Artwork

Author: William Marquina Series: chaos Title: Rules #2 Technique: acrylic on paper glaze Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Words key: World, system, rule, abstract, line, paint, color, yellow, violet, magenta, acrylic, paper. Description: According to analysts, many of the systems in our modern world are the basis of the development of a society. But scrutinizing these systems we see that there is a dizzying creation of networks based on rules. In this work, I interpret this aspect in the vision of a matrix. I've used the lines as the main element of this painting without seeking the rigidity of perfection because I'm interested in the degrees of the hand pulse, which is the same as saying, how I am interacting with a completely abstract element without the help of technical means. This action reveals a kind of freedom that I control with the hands providing me a reduction in restrictions to what we commonly understand by the word "line" or "linear" to me. This action me takes to think on it imperfection as an element abstract of what really not found in the reality, i.e., the line in itself is an element completely abstract, not exists it line as such, and therefore them rules of the society nor are forms concrete. Black spots represent the composition an object about which influenced the matrix, an object like the human being or any other living being, from there that it is no coincidence that the matrices of the systems of our society can cover and dominate all other beings of this world even.

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Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:19 W x 13 H x 1 D in

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William Marquina was born in Mérida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in an outdoor Sunday painting workshop. After graduating in visual arts from the Universidad de Los Andes, he studied a master's degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts professor at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works in the Oskan-huera painting studio, cloistered during the pandemic of 2020 and 2021, he will insist on his series Perceptions William's production has been experimentally versatile and challenges us with series characterized by the desire to search, study and complement the archaic and contemporary. His series are notable: Brillo, Picasso Copy, Matisse Copy, Da Vinci Copy and Aperceptions. In the latter, he highlights us in painting, the subjective complexity in the world of perceptions. In 2023 he exhibited his individual retrospective "Imbrications in painting" in the city of Quito; the International Painting exhibition at Casal Català Quito, 2021 and "Exhibition of Ecuadorian Painting" at the Mayor's Office of Quito, 2019. Other important individuals were: "Cartographies of the Terrestrial and Transterranean", Merida 2012; "Care. Path and Limit", 2007 and "Essences", 2007. Awarded the First Prize of Arts for University Students, in 2001.

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