"STATION" Painting
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
35.4 W x 19.7 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
$1,180
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(signature on the edge) I use mixed media. They are the elements of fermentation as well as the reasons of my work. A strict sphere of activity also conditions the extent of the means by which I set myself. The media is mixed, unlimited by definition but needs to be brought up to date in a necessary...
Year Created:
2006
Subject:
Styles:
Mediums:
Painting, Acrylic on Soft (Yarn, Cotton, Fabric)
Rarity:
One-of-a-kind Artwork
Size:
35.4 W x 19.7 H x 2 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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I use mixed media.
They are the elements of fermentation as well as the reasons of my work.
A strict sphere of activity also conditions the extent of the means by which I set myself.
The media is mixed, unlimited by definition but needs to be brought up to date in a necessary here and now. A paradox ? Yes and no…
As “man is condemned to be free”, I propose a vision of a paradoxical freedom, engraved, scraped, scarified, torn off with the support of my work.
It is about a game, built then taken apart, added, withdrawn, cracked, torn up, whose intrinsic stake is to survive and evolve in an environment in which nothing is ever promised.
Sometimes the parts crack, become exhausted, to show a world increasingly more vast than is possible. Sometimes it’s the reverse, I must bind, muzzle the picture frames which seem to want to escape any attempt at definition.
This work is fierce, with the etymological direction of an intimate and vital rapport with material. They are its wounds and deep scars that seduce the eye of the passer-by.
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