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Self-portrait, 2003 Painting

Sofia Cravo

Portugal

Painting, Acrylic on Other

Size: 21.7 W x 20.9 H x 0.8 D in

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ABOUT THE ARTWORK

“It seems I cannot distinguish anything as separate from myself so perhaps after all, I am the anything I observe”. (Helen Chadwick in Effluvia: Helen Chadwick , exhibition catalogue, essay M. Allthorpe-Guyton, London, Serpentine Gallery, 1994, p.13.) Almost everyone is a narcissist, somehow. The use of “I” seems pretentious... however we will always be present in our work. Somehow every creation is a self representation. My art work communicates a strong sense of subjectivity. I am less inspired by the mimicry of reality preferring to focus and give voice to the most subtle sensations that I absorb from the real. In Greek mythology, Narcissus falls in love with his own reflection. The “inventor” of painting was Narcissus, since creating is the act of embracing the surface of a “mirror”. Lacan´s theory of the “Mirror Stage” represents a phase in which the subject is permanently caught and captivated by his own image. I find myself on the other side of the mirror.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Other

Original:

One-of-a-kind Artwork

Size:

21.7 W x 20.9 H x 0.8 D in

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| Sofia Cravo in Lisbon, Portugal (1983) . Currently living and working in Leiria as Visual Artist, Art Teacher and Visual Merchandiser (Decoration). Graduated in Fine Art, with a Bacherol Honours Degree in Painting at Faculty of Fine Art, University of Lisbon, Portugal (2007). Holds a Masters MA Fine Art at Birmingham City University, England (2009). Postgraduate Diploma in Visual Arts Education, University of Aveiro (2012). Recently specialized in Art Therapy, by the European University Miguel de Cervantes (2021)| Complementary formation: Art Therapy, Jewellery, Decoration, Graphic Design, Photography.| - Since 2010 exhibits at Salon du Louvre, in Paris. - Frequently participates in National and International exhibitions. Work represented in several National and International Collections. | ABOUT MY WORK My practice incorporates notions of identity and the self as creative source, appearing as a form of memoir and subjective experience. The vision of myself and my work is covered with many layers of misty images, capturing absence and presence of my body and mind, things are partially or mostly veiled and camouflaged by a skin or a mask. I collate a reservoir of symbolic references. A tactile space dominates, aiming past languages and past stories. The pieces have parallel versions of stories and histories petrified and perpetuated as emblems and symbols, that move through different timelines, I and the "other side of the mirror". | (under construction)

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