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Shostakovich Concerto detail
Part of an ongoing exploration into the painting of a moment in time, an effort to record the intangible, the feeling of a moment that will never be recaptured except in a memory.

This painting is initially based on observational drawings made during orchestral rehearsals of the London Symphony Orchestra conducted by Marin Alsop.

Ink and gesso interact in a particular way which fascinates me: the matt chalkiness of the gesso and the fluidity of the ink. The freedom of gesture is the result of much practice and of being in a meditative state of mind when painting.

The copper gilding relates back to the importance of the circle in my vocabulary: preciousness and warmth.

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Shostakovich Concerto Painting

Caroline Banks

United Kingdom

Painting, Ink on Canvas

Size: 7.9 W x 7.9 H x 0.1 D in

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$435

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466 Views

6

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Part of an ongoing exploration into the painting of a moment in time, an effort to record the intangible, the feeling of a moment that will never be recaptured except in a memory. This painting is initially based on observational drawings made during orchestral rehearsals of the London Symphony Orchestra conducted by Marin Alsop. Ink and gesso interact in a particular way which fascinates me: the matt chalkiness of the gesso and the fluidity of the ink. The freedom of gesture is the result of much practice and of being in a meditative state of mind when painting. The copper gilding relates back to the importance of the circle in my vocabulary: preciousness and warmth.

DETAILS AND DIMENSIONS
Painting:

Ink on Canvas

Original:

One-of-a-kind Artwork

Size:

7.9 W x 7.9 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Caroline is an Anglo-French artist now based in London after living in India and China for several years. Her work centres around the energy and memory of gesture and this includes a fascination with the circle, the most elemental and universal shape in nature and in every culture on earth. It is also the largest shape any human can make with their body. She discovered Neolithic Chinese Bi, nephrite discs known to be extremely important but utterly mysterious. This concept of loss and importance resonated with her at a time of personal bereavement and the use of the shape is a key part of her visual vocabulary. Observational drawings of conductor Marin Alsop in rehearsal with the BBC Symphony orchestra for various concerts including music by Shostakovich and Sir James MacMillan, sport, quantum mechanics and most recently experiments in virtual reality all contribute to her exploration into the energy of movement, memory and the connection of all things. Caroline uses the expressive gestural qualities of brush and ink combined with gesso, paint, gilding and piercing in a process that develops over time. As in life, chance and working on the edge of control play their part. Her work reflects an ongoing process of meditation and reflection on the universally powerful yet fugitive nature of memory and the existence of gestures and traces that would otherwise be lost. The importance of something indefinable in language which is common to all, regardless of background or culture. We make marks to prove we exist and the energy this takes exists forever. In addition to making art, Caroline shares her celebration of creativity in a weekly blog, readable in 1 minute and found on her website. Just search for Caroline Banks Art.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, Brooklyn, New York, London, London, Bristol, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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