VIEW IN MY ROOM
France
Painting, Charcoal on Paper
Size: 19.7 W x 27.6 H x 0.4 D in
Ships in a Tube
Il y a quelques années, Mahmoud Menaysi découvrit un langage qui libéra son art et lui permit d’ acquérir une puissance renouvelée. Récemment, ce jeune artiste de talent a proposé de nouvelles solutions aux complexités de l’art telles que la thèse des contradictions et l’importance du choc et des contrastes. Lorsqu’il travaille sur une figure féminine par exemple, il décrit la richesse que contient l’univers entier et l’existence, et non pas une réalité froide, molle et sans âme. Bien qu’il soit fidèle à la technique et à la méthode, et qu’il respecte un certain ascétisme, Il utilise le choc et le contraste pour révéler les artifices et les stéréotypes. Ahmed Fouad Selim 1998 – Directeur du Musée d’Art Moderne Egyptien (Le Caire).
Multi-paneled Painting:Charcoal on Paper
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 0.4 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Place of birth : AlexandriaMember of the Fine Artists Association. Member of Alexandria and Cairo Atelier. Independent visual artist, expressing himself through painting, sculpture, installations and videoart"In few years Menaysy was able to unleash his deep powerful art character submitting it to experience the Modern Art. In the last years, this young talented artist introduced important answers to art perplexes. For instance how to tackle the contradiction thesis and the importance of shock and contrast.If he tackles womans body, he will incarnate the ethereal treasure that carry the space to express the entire existence of universe, thus it would be the cold deaf material that explodes to protest against all solid, cold, soft, thick, soulless, and mindless.Even though, Menaysy still faithful to the system and method, even his keen on the systematic aestheticism margined his original theory of omission and protest, settle it among shock and contrast factors to unveil the artificial consumed stereotyped".Ahmed Fouad Selim - director of the Egyptian Modern Art Museum (Cairo)
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