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Spirit of Revolution Painting
United States
Painting, Acrylic on Wood panel
Size: 15.5 W x 24 H x 2 D in
Ships in a Box
About The Artwork
https://oshoworld.com/the-rebellious-spirit-01-30/ "Why so hard?" the kitchen coal once said to the diamond. "After all, are we not close kin?" Why so soft? O my brothers, thus I ask you: are you not after all my brothers? Why so soft, so pliant and yielding? Why is there so much denial, self-denial, in your hearts? So little destiny in your eyes? And if you do not want to be destinies and inexorable ones, how can you one day triumph with me? And if your hardness does not wish to flash and cut and cut through, how can you one day create with me? For all creators are hard. And it must seem blessedness to you to impress your hand on millennia as on wax. Blessedness to write on the will of millennia as on bronze — harder than bronze, nobler than bronze. Only the noblest is altogether hard. ~ Nietzsche https://sublimeister.wordpress.com/works-on-panel/
Original Created:2011
Subjects:Political
Materials:Wood panelStoneRope
Styles:SurrealismRealismConceptual
Mediums:Acrylic
Details & Dimensions
Painting:Acrylic on Wood panel
Original:One-of-a-kind Artwork
Size:15.5 W x 24 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
My artwork ranges from surreal to abstract, from ornamental to iconoclastic, from humorous to erotic, from whimsically subtle to seriously didactic, and everything else in-between. I believe art should not only be decorative or speak for its own sake but also have a voice on current events and the human condition, hence peer into the abyss of human existence. Having inherited innumerable kinds of artistic expressions, I mix styles from different cultures, past and present, and from this historical amalgamation create my own particular technique. But in the end, Styles and Techniques are mere tools that one uses: Imagination is far more important to me. My greatest endeavor as an artist is to see beyond the numinous veils of Nature and Time and paint my imagination accordingly. And yet to capture the essence of things, I must hold nothing sacred.
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