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Painting, Acrylic on Paper
Size: 11 W x 14 H x 0.1 D in
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This painting "Still Life with Skull" is an original painting on 11wx14h inch watercolor paper, with artist signature on front and the back. This piece can also be purchased as a print on paper. My work draws inspiration from the idea that everything in nature is connected to everything else. Through carefully chosen materials, and mediums, compositions begin to encompass a journey through a multitude of layers that combine unconventional methods, gradually revealing a history of spatial interpretations. I explore space and form by intertwining markings with layers of paint and subtle transparencies, leading to the intersection of abstraction and the natural world. During the painting process, I am mapping out the underlying paint layers, collage, and drawing mediums. While some of this process is predetermined, other aspects arrive organically through subtracting and adding, carving, and peeling away paper and paint to reveal earlier parts of the work. My interest in transforming discarded things into art, is indicative of my upbringing where environmental consciousness was daily practice. The resulting multi-layered two-dimensional and repurposed three-dimensional works are metaphors for survival and hope, they serve as windows into natural landscapes and urban spaces, with pollution and consumerism hanging at the edges.
2024
Acrylic on Paper
One-of-a-kind Artwork
11 W x 14 H x 0.1 D in
Not Framed
No
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My work portrays my observations as an artist and a human being of the deep connection between plants and animals and the ecosystems in which they thrive. Each painting draws inspiration from the idea that everything in nature is connected to everything else. I explore space and form by intertwining gestural marks and drawings with thick layers of paint and subtle transparencies, leading to the intersection of abstraction and the natural world. During the painting process, I am mapping out the underlying paint layers, collage, and drawing mediums. While some of this process is predetermined, other aspects arrive organically through subtracting and adding, carving, and peeling away paper and paint to reveal earlier parts of the work. As I manipulate paint on the canvas, the compositions begin to encompass a journey through a multitude of layers that combine unconventional methods, gradually revealing a history of spatial interpretations as the final piece emerges. The resulting multi-layered abstract canvases serve as windows into natural landscapes and environments, with pollution and consumerism hanging at the edges. My works are metaphors for survival and hope. They attempt to elevate the viewer’s awareness of our involvement as human beings in our world’s case for eco-sustainability. Fran McNamara
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