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Painting, Oil on Canvas
Size: 48 W x 36 H x 1 D in
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Artist's statement: "Though I am an abstract painter by tradition, I painted this somewhat figurative painting to express the feeling I have developed over the past couple of years (related to Covid in particular). I don't see it as a bleak or depressing painting. "This too shall end," and perhaps has already begun to. But I find myself still anticipating some notable change - as though I am this entombed figure in a sort of holding state, and above ground is a more vital existence that is to return (here, an aqueduct, symbolizing both water and the structure of Western culture that underpins my daily existence, particularly as it relates to art). I believe many others feel this way - in some sense isolated or blocked off from normality, and waiting. Again, I am quite optimistic, and this painting merely records the feeling I think many of us have had over the past couple of years, not just the negative aspect, but also the sense of light at the end of the tunnel (or to mix metaphors: the life that awaits us back above ground). (On a previous series by the artist): “These paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018
Oil on Canvas
One-of-a-kind Artwork
48 W x 36 H x 1 D in
Not Framed
No
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I have been selling my art worldwide since around 1990. For eight years I had a gallery on Magazine Street in New Orleans; I sold it in 2019 and moved everything online - which is where things seemed to be headed. My paintings are in fine collections from Beirut, to London, to mansions in Aspen and the California wine country. But it's important to me that the prices not rise to where they are unaffordable for collectors who are not wealthy; so I try to keep them reasonable. My influences include Cy Twombly, Robert Rauschenberg, Julian Schnabel and Sean Scully. I have never been interested in the forms I choose for my paintings. I make quick decisions about them. What matters to me is surface quality, color, line quality, negative space. Sometimes the negative space is more important than the forms that push forward.
Artist featured by Saatchi Art in a collection
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