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Stonecold Painting

Marjan Fahimi

Italy

Painting, Oil on Wood

Size: 39.4 W x 39.4 H x 2.4 D in

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$4,300

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ABOUT THE ARTWORK

Stone Cold - mixed media and resin on wood - 100x100 cm - 2020 The chromatic sensation that evokes the rocks that can be glimpsed behind a waterfall, an effect amplified by the use of resin that seems to immerse the painting in water. Deep blue and red dominate the scene. The use of the transparent resin that covers the surface of the picture and the polished stainless steel frame give light and lightness to the work.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 2.4 D in

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Marjan Fahimi is an Iranian artist born in Tehran in 1982. At the age of 15 she began attending painting courses at Hossein Maher’s Studio and after graduation she started studies in Italian Language and Literature at the University of Tehran; in the meantime she participated in several group exhibitions in some of the most important galleries of the Tehran art scene such as Elahe Art Gallery, Bahman Cultural Center, Robat Art Gallery. Fahimi has also realized two solo exhibitions: in 2003 with the “Urban Details” project at Atbin Art Gallery and in 2004 with the exhibition “Birds” at Seyhoon Art Gallery. The latter period of work is particularly influenced by the city and its landscapes, details and urban views seen so closely as to become abstract images, the only creatures to animate the scene are the birds, almost always sitting to contemplate the passageways of the concrete city. In 2004 she came to Rome to study architecture. Being in contact with Renaissance and Baroque art changed her artistic vision in a perceptible way; subsequently she moved to the roman countryside, moving closer to nature and undertaking research on the naturalistic component of the landscape and its poetics, interpreting it in an abstract manner where the subjects are mainly characterized by views that highlight the main atmospheric phenomena: wind, clouds, rain and light. Her search for an equilibrium between figurative and abstract continues, exploring a global vision of painting that proposes both the realism of the form and the lyric of sentiment. Stylistic research is combined with an experimental technique, mostly layered. The use of transparent resin in her artistic production is quite recent: she experimented for the first time with it in 2016. She uses transparent resin in order to encapsulate the pictorial moment and makes the space brighter, thus accentuating the depth of the work as well as the sensorial perception that comes from the stratification of the color.

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