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"Strutture interiori" Painting

→ Fabrizio Barachino, Italy

Painting, Acrylic on Paper

11.8 W x 15.7 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$520

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Inside me, I feel walls and boundaries—shapes that seem rigid but protect my personal space. I'm learning to understand the strength and fragility of these structures: sometimes they give me security, other times they keep me from moving forward. I recognize that even my limits are a part of who I a...

Year Created:

2024

Subject:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Fabrizio Barachino

About the Artist

Fabrizio Barachino

Italy

Fabrizio “Brarez” Barachino (b. 1980, Spilimbergo) develops an abstract painting practice oriented towards translating thought into matter.

Self-taught, he builds his visual language through continuous observation, experimentation, and practice. Working with paper, canvas, acrylic, collage, and gel printing, his focus lies on the relationship between mark, surface, and composition.

In his research, he acknowledges the influence of Italian Informale, particularly figures such as Vedova, Celiberti, Basaldella, and Tàpies, absorbing them as cultural touchstones rather than formal templates.

Alongside his physical production, he embraces a digital dimension, hosting selected works on the Tezos blockchain as a means of certification, memory, and permanence.

His practice investigates the trace, unstable balance, and imperfection as central elements of painting, which he conceives as a space of presence, duration, and relationship with time.

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