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This portrait of a young man is perhaps the most alive and tactile of the male portrait studies I've done thus far. I'm pleased to have captured something rather elusive...a thoughtful and complex quality in this beautiful face. This one is a little larger than my usual head studies and there's a strong feeling of immediacy and an electric presence. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm especially happy with the expressive look of his eyes and mouth and the painterly texture in his hair.
This portrait of a young man is perhaps the most alive and tactile of the male portrait studies I've done thus far. I'm pleased to have captured something rather elusive...a thoughtful and complex quality in this beautiful face. This one is a little larger than my usual head studies and there's a strong feeling of immediacy and an electric presence. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm especially happy with the expressive look of his eyes and mouth and the painterly texture in his hair.
This portrait of a young man is perhaps the most alive and tactile of the male portrait studies I've done thus far. I'm pleased to have captured something rather elusive...a thoughtful and complex quality in this beautiful face. This one is a little larger than my usual head studies and there's a strong feeling of immediacy and an electric presence. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm especially happy with the expressive look of his eyes and mouth and the painterly texture in his hair.
This portrait of a young man is perhaps the most alive and tactile of the male portrait studies I've done thus far. I'm pleased to have captured something rather elusive...a thoughtful and complex quality in this beautiful face. This one is a little larger than my usual head studies and there's a strong feeling of immediacy and an electric presence. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm especially happy with the expressive look of his eyes and mouth and the painterly texture in his hair.
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Study of a Young Man Painting

Pat Kelley

United States

Painting, Oil on Canvas

Size: 9 W x 12 H x 0.8 D in

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Originally listed for $390
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About The Artwork

This portrait of a young man is perhaps the most alive and tactile of the male portrait studies I've done thus far. I'm pleased to have captured something rather elusive...a thoughtful and complex quality in this beautiful face. This one is a little larger than my usual head studies and there's a strong feeling of immediacy and an electric presence. I focused on loose brushwork, keeping the edges soft and I used impasto in the highlights. I'm especially happy with the expressive look of his eyes and mouth and the painterly texture in his hair.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:9 W x 12 H x 0.8 D in

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I have been drawing and making art in some form since I was four years old. I was born in Washington DC but, as the daughter of an American diplomat, spent much of my childhood in Japan, Korea, and Hawaii. I studied art at Parsons School of Design and afterwards traveled to Europe to learn from the masterpieces in the great museums of London, Paris, Rome and Florence. I studied oil painting at a private atelier in Lisbon and had my first solo exhibit there. My work is in numerous collections throughout the United States and Europe. I currently reside in Arlington Virginia, just across the river from Washington DC.

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