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Already in the title I wanted to propose a synecdoche, so as to remember the importance that a title can also have in a work. She sleeps, in total relaxation. Do you dream? or is it real? a magpie took her necklace away, without her waking up. But is it possible? and the magpie is not attracted to shiny objects? coral is not certain, and here is the paradigm of the dream, of the real in the unreal, in the surreal.
in this work I have combined the abstract technique of using the spatula with fluid brushstrokes and glazes.
Already in the title I wanted to propose a synecdoche, so as to remember the importance that a title can also have in a work. She sleeps, in total relaxation. Do you dream? or is it real? a magpie took her necklace away, without her waking up. But is it possible? and the magpie is not attracted to shiny objects? coral is not certain, and here is the paradigm of the dream, of the real in the unreal, in the surreal.
in this work I have combined the abstract technique of using the spatula with fluid brushstrokes and glazes.
Already in the title I wanted to propose a synecdoche, so as to remember the importance that a title can also have in a work. She sleeps, in total relaxation. Do you dream? or is it real? a magpie took her necklace away, without her waking up. But is it possible? and the magpie is not attracted to shiny objects? coral is not certain, and here is the paradigm of the dream, of the real in the unreal, in the surreal.
in this work I have combined the abstract technique of using the spatula with fluid brushstrokes and glazes.

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THE THEFT OF THE MAGPIE. Painting

Gianni Mucè

Italy

Painting, Oil on Wood

Size: 27 W x 19 H x 1 D in

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ABOUT THE ARTWORK

Already in the title I wanted to propose a synecdoche, so as to remember the importance that a title can also have in a work. She sleeps, in total relaxation. Do you dream? or is it real? a magpie took her necklace away, without her waking up. But is it possible? and the magpie is not attracted to shiny objects? coral is not certain, and here is the paradigm of the dream, of the real in the unreal, in the surreal. in this work I have combined the abstract technique of using the spatula with fluid brushstrokes and glazes.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

27 W x 19 H x 1 D in

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Born in Villabate (Palermo ,Italy) and after the first vernissage in Palermo in 1977, for thirty years living and working in Florence, with a painter and graphic and exhibitions in various Italian and foreign cities and present in collections in Los Angeles, Milan, Palermo, Buenos Aires; Houston. Painter of ideas and dream situations where dreams emerge and references to past... I've been painting since I was fifteen. I am proud to be self-taught, not to have attended any art school, to have learned everything that I would like to give and to learn from my mistakes. Like in art, so in life. I define myself as a painter of ideas, mine. In the sense that I try to give a face and a stage to situations, people, things, facts that I imagined or only lived or that in any case have merged in my experiences. I have made up to now more than 900 works, which considering the care and the meticulousness with which I work is a nice goal for me. I have decided to include here some works of my property, with the title also the year of execution to give the idea of a journey through the various meanders of art. I started painting very young and went through various styles of painting. Without ever neglecting the dreamlike aspect. In recent years I identify more with the surreal aspect of reality in which we live. For more details, contact curator@saatchiart.com

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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